A Study To The Historical Evolution And Development Reserach Of Zaozhuang Liuqin Drama

Zaozhuang LiuQin drama is a branch of the whole "lahun tune system"(which contains LiuQin drama, HuaiHai drama and SiZhou drama). Its also names lahou tune、lahua tune、yixin tune and so on. The general started to produce from daoguang or xianfeng dynasty, which has been two hundred years of history. At first, because of this tune over seven or eight degrees end,Old actor JiangFu Hua (stage name Ba Jie) named it lahou tune.Lahou tune conceived in Sunlou village of Tengxian, Dongguo town, Zaozhuang city, Shandong province.It gradually formed under the influence of the different music forms, including Luogu Chongzi、Zhouguzi、Siju tune、Liushan tune and so on, which is in local and surrounding areas of Zaozhuang city.This article is divided into six chapters. First, the author take the method of longitudinal diachronic study downstream in accordance with the history, and finally, LiuQin drama of the overall development of the context is divided into five chapters respectively of play started period, mature period, boom, weak period, renewable period.The first chapter, discusses the LiuQin drama in its start Zaozhuang period-back cavity stage of the development situation. It discusses the historical background of the emergence of music culture, the surrounding environment and causes. In addition, the author put forward relevant scholars, acting style-after cavity is opera or rap launched demonstration. The author thinks that, LiuQin drama of Zaozhuang was initially based on "sing doors",which is gradually formed from rap form.The second chapter, discusses the LiuQin drama in its maturity Zaozhuang-pull the soul cavity phase of development situation. The late qing dynasty, back cavity gradually from rural areas to the urban development, the associated with development of change. Like class club the development and expansion of the team; The show has gradually turned into indoor; Features singing to enrich gradually; Artists performing arts diligence; The improvement of four art; Role has a clear division of labour, and so on.The third Chapter, discusses the LiuQin play its boom in Zaozhuang-LiuQin period of development situation. After the1950s, the whole country raised a "play revolution", LiuQin play a word became the back cavity, pull the soul cavity after the academic title. Through our country "to play" the "east wind" LiuQin play great reform and development. In people’s government policy support and financial support not only established the professional troupe, concert venue, training schools, and LiuQin play itself also has larger reform and progress, live band is rich. In addition, presided instruments be further improved, and the emergence of the LiuQin solo and concerto. In a word, the whole show a flourishing.The fourth chapter, discusses the LiuQin drama into its weak zaozhuang period-the period of development of the model. Cultural revolution on the influence of the LiuQin play more far-reaching, all troupe paralysis, LiuQin play was gradually "model change". The author mainly from the point of view of historical materialism to the relevant interpretation.The fifth Chapter, discusses the LiuQin drama of Zaozhuang, in the period of the reconstruction period-regeneration. Since the "cultural revolution" ended, LiuQin play performance been restored. The government not only restored professional LiuQin troupe, but also established the some amateur theatre company.A section of the content, the author mainly uses the field work of literature and the method of combining the current troupe and amateur "class society" living situation to inspection.The sixth chapter, is talking about LiuQin drama of Zaozhuang in "the living condition" protection of case investigation, and the future development direction of LiuQin drama of Zaozhuang, and some suggestions were put forward by auther.Finally, the author make out a summary.