Study Of The Language Of Light And Shadow Relief Murals

Relief fresco in many other categories of art, a long history, unique personality, it with human civilization along the way, never a recession, the secret lies in the characteristics of painting and sculpture, across two disciplines, with cross-border now called relief murals, rich stereoscopic effect and durability than painting. Compared with the round, its performance more extensive areas and the production process is simple and easy. As cross-border it, relief murals in two-dimensional and three-dimensional walking in the do a job with skill and ease, and formed a long, rich and colorful art landscape.In the field of painting, architecture, photography, art, the use of light and shadow are seriously particularly, relief murals between2D and3D, the factor of the language of light and shade is also very important.Light and relief murals are closely related.Relief fresco is the most important performance of its shape and space, directly affects the shape and space of the language of light and shadow relief murals.Objective in the presence of artistic shape and volume of its dependent is light and shade effect.No light, no shadow, there will be no more turning face shape the artistic effect.The same no shadow, in the two-dimensional relief murals of the special in the half space it will not show the level of rich sense of space.According to the different level of the embossment and mural painting, light and shadow play also have a corresponding change, its quality is not the same effect.Can say, not the language of light and shade, embossment and mural painting has no shape, no sense of space, there is no relief language.This paper is divided into four parts:the first part is the basic definition of light and shadow and their relationship, and expounded respectively from the two aspects of natural light and artificial light sources; the second part according to the lighting effects on the influence of relief murals of a different, analysis of different mission of light from three aspects shallow relief, relief, high relief, and discusses the process of examples; the third part is the priority among priorities of this article, separately from the natural light and artificial light on the embossment and mural painting production guide, form, space, quality, material, color is the important factors in the process of relief murals show, starting from these factors, be discussed separately; the fourth part in the language of light and shadow relief murals were investigated and analyzed application status, and put forward some prospects and personal humble opinion.