The Study Of "Beach" Ci-poetry Phenomenon

“Beach Culture”is specified in the late Ming dynasty to late Qing dynasty, ZunyiBeach village as the center, to family blood, in-laws and mentor relationships as thelink,with Confucianism as the core,and represented by Li,Zheng,Mo three familiesto constitute a relatively complete,full of local characteristics of culturesystem.“Beach”ci-poetry arose in the period of Daoguang-Xianfeng dynasty is animportant part of it.“Beach”ci-poetry was on the rise under the background of the Beach Culture andthe flourishing of ci-poetry in Qing Dynasty.It is with Li Zhaoxun and MoYouzhi asthe center to form a group of lyricists.In order to promote the elegance ofci-poetry,they taught the theory value of ci-poetry in “placid” ConfucianPoetry,emphasized the“emotional unity and the “rigid-flexible”,and stressed “musicrhythm and analogy”.The ci has had realistic,lyric and natural content,the style hasbeen both implicit and outgoing,and they poured the neo-confucianism thoughts intoci-poetry,highlighted the “cool”and “and”two unique realm to“Beach”ci-poetry. Thispaper let the ci-poetry of Li Zhaoxun and MoYouZhi as the center to study thephenomenon of “Beach”ci-poetry in depth， in order to understandthe“Beach”ci-poetry thoroughly and deeply.