The Theory Of Chen Hongshou The Literati Painting Flowers And Birds Painting Consciousness

In the late Ming Dynasty Buddhism,Taoismthe and Confuciannism ideology advocating subjective individualism theory from Wang yangming jointly builded a literary ideology, the literati seeked true self, advocated individual character, form aesthetic ideas of “odd” and“ancient”.This aesthetic ideas infiltrate literature, drama, calligraphy, painting and other works.Chen hongshou is a very representative painter.In this cultural context, Chen Hongshou becomed a fine brushwork painter have the::literati painters temperament, his painting’s distinguishing featureon was antiquity and: odd, the painter’s subjective emotion integrate into the general appearance of a picture, It overstep the objective object of the copy, with literati’s thought connotation and aesthetic emotion. Chen hongshou wasn’t conceited though he was literati.In his whole life learning he always learned the characteristic style of fine brushwork flower-and-bird painting in the Tang and Song Dynasties. The literati consciousness which is the most important features different from traditional brushwork painters, making him in fine brushwork flower-and-bird painting history has a unique position. This paper analysis the relationg about form language and literary spirit cultural through the research of Chen Hongshou fine brushwork flower-and-bird painting,expound the importance of the spirit of the literati in fine brushwork flower-and-bird painting.