Chinese Contemporary "80 After" The Painter's Painting Language Research

"80" generation has been controversial, especially as a "80" after one of the groups of "80" thepainter who, inevitably affected by a variety of questions and speculation about their ability to be theolder generation of artists, inherit and carry forward the essence of art, art has always been widespreadtopic of concern.This theory-based, evidence-based, from the "80" after the current situation of the artist’s paintings,in-depth analysis of their growth environment and social context, explore their inner thinking andmental state, and then study their creative theme painting, creative characteristics, development and thevalue of the times, the same time, the paper lists the current representative of the "80" artists and theirworks in-depth analysis, to more fully and accurately present the essence of this important art group.And I, as "after80" group engaged in the creation of a painting by this thesis research, organizing andwriting, to make my own painting and the future direction of development have a more clear thinking.Through the "80" after the artist’s study, I concluded that "after80" painters painter who inheritand carry forward the essence of art, they boldly assertive, independent, and not swayed by worldlyconcepts; them the courage to break good at innovation, they dare to update the language, the languageof form their own specifications; they dared to question the previous generations of the criteria ofthings, that all things are possible; they dared to try and accept all kinds of new things, able to adapt torapidly changing China form of free writing, prospects for development in high technology, they havethe ability to meet the medium of art and higher demands on the creative arts, and also slightly withtheir "immature," the brush, to create a deeply moving paintings.