Theory Of Violin Playing Vehicle Of Expression

Violin music’s rendering and advanced playing techniques have brought great challenges forthe player’s enthone expression. Enthone and expression often occur separation situation. Forexample, someone understands enthone thinking but lacks of skills, enthone can not express; andon the other hand, somebody is skilful, if he is lack of understand style connotation, still can notexpress. I,as a student of violin playing majors will also face the challenges shaped ecstatic.Everytime when we have a new piece of music, first we will cut it from a technical level.Numerous facts have proved that if you want to find the core of the enthone, its practice of martialarts is not an easy thing. Learning the violin playing, the students did not love reading, notinterested in the History and Philosophy, ignore the music and cultural knowledge accumulationand the shaping of the human spirit. This paper attempts to enthone Violin expression for somemore in-depth thinking, in order to explore a path of how better expressed in the violin playingenthone.In the first part, I connected with the violin playing of the actual penetrating to the essence ofenthone connotation, the source of enthone, and then stressed the the enthone expression should bethe ultimate pursuit of the violinist. Proposed the enthone is the essence of human nature, and theconnotation of enthone emotion, exclusive point of view of the enthone should be the source ofspiritual pursuit, the experience accumulated and the burst of inspiration. The second part of thearticle, the author writes that violin expression of the basis for discourse around the conceptexpressed by enthone expression, the enthone express the nature of characteristics expressed byenthone, enthone means of expression, music thinking expression of musical form, languageexpressed by enthone, enthone expression level of seven points of the argument, launched a morecomprehensive analysis, in order to investigate how the expression of the path of enthone in violinplaying. This paper presents a violin recital prone to separation of Arts and surgery; pointed outthat the emotive the enthone expression of nature, described in detail the four characteristics ofenthone expression, at the same time stressed that enthone presentation skills, focus on playingresearch and grasp of musical structure and emoticons, enthone expression language formed fromthe artistic intuition and professional training, first time to propose that the enthone expression areFigurative imagery and abstract three levels.Finally is the conclusion: violin playing is not the relationship of arts and surgery, in fact, it isabout the road and the relationship of technology; enthone is philosophy but not music. Onlycombine the the enthone arts and techniques of surgery, is the violin playing of the highest state ofthe art. There is a limit in surgery, but the arts indefinitely. Therefore, learning, experiencing,thinking and practicing, is the subject of the violinist practicing life.