Speak To The Horizon

Duras, with its great literary achievements into people’s vision, her literary worksas well as she plays in the creation of some directors of all ages, was turned into amovie also gained a high reputation. She and Alun·Lei is a cooperation between thefilm Hiroshima Mon Amour, can be described as a milestone of modern film, adaptedfrom rang·yake·anuo based on her novel the lover in his later years the lover of thefilm of the same name was the name of Marguerite Duras to reach the hearts of theAmerican people, is the little woman go beyond of the infinite strength and charm, aswell as her secular moral values shock. If said by other Director adapted and to offilm performance out has DURAS of unique charm, then she themselves Director ofworks, is she real emotional desire and from social secular concept of creating, andshe on film expressive and performance content of unique cognitive, more is rich hasfilm of art charm, let people awareness to film this art in addition to can performancethose external objective known of exists yiwai, also can tracing people of heart andspirit world of by sense by know by wanted to.1966Year, DURAS began her defection of literature, made her comments on herworks do not see his intellectual ideas, or see her horrified refined moral values andemotional desires. So she’s on the road to a Director, with her own knowledge of themovie film, try cameras looking for literature in the absence of something.Her filmsare like novels, does not follow the laws of tradition of film, using simple painted andsubtle dialogues, the human emotion and action, deep into the heart and the desire toopen up to survive. DURAS was not a writer of the film, but a screen writer works onthe move.This article,"Introduction","body" and "conclusion" consists of threeparts. Papers used has overall views according to and specific film text interpretationphase combined of method, on DURAS of film creation for has combs and research,articles of introduction part on modern film of concept, and development history forhas Combs, and on DURAS and modern film of contact, and on she film research areaof results for has summary of overview, from overall Shang analysis DURAS andmodern film Zhijian inextricably linked of relationship. The body is divided into four chapters: Chapter I focused mainly on Marguerite Duras ’ an overview of theexternal, objective world. New trend emerged from that era, new movies, new novelthree-pronged, affect the external environment for a brief description of the DURASfilm creation. Chapter II dealt with involve the inner spiritual world of DURAS in thefilm, the main mining her spiritual content of the film. She first discussed For coldwar generation by performance out of spirit connotation, main performance in aloneexperience, and heart reality and the self of destroyed construction, and moralbetrayed rationalization three a area; second on DURAS strongly of femaleconsciously consciousness for has analysis, discussion she cameras Xia on female ofexpression, main from female image of shaping and female sound of shout two a areafor addressed, excavation out DURAS by pursuit of and advocate of female lifeexperience expression and on female power status led of, and absolute ofdemands. Narrative strategies of the third chapter explores DURAS filmunique. Begin with her exploration of spiritual expressions--of consciousness of theworld about, second, combined with film analysis of the film of her unique narrative,were discussed about the story of the psychological rationale, symbolic and narrativeviewpoints of characters based on fuzzy confusion. The fourth chapter is devoted toMarguerite Duras ’ unique personal charm of film language. From sound and pictureseach of the two areas to explore. Description of the sound in movies, combined withfilm analyses the her movies in the relationship between music, vocals and acousticart; picture is devoted to her film images rendered by "static" artistic effect.Balancessection of this article reiterates the DURAS’s achievements in film and film to make asignificant contribution.Modern cinema is cinema by the outer and inner development results. As theconcept of modern film practitioner Duras, to enrich and expand the film performancehad an indelible impact. DURAS only own a movie, regardless of the audience’sappreciation, market unrelated to the box office, but she wanted to say imagerendering, so the film of her inevitable departure from the properties of the film itself,created an ornamental is blocked. So her works may not be enough to show hisappreciation, but her achievements cannot be ignored.