Microscopic Deconstruction And Grand Narrative

Photography, as a language records the history of the real and image, the extensionof the human visual tool for transmitting information. Development up to now, alreadyis not only a human to the objective world way of thinking and perception, and becomea social, political, economic and cultural share in all walks of life, an indispensable partof modern life. Documentary photography, however, as one of the tributaries, injectedwith our rich emotions, express our persistent spirit, carrying the history of ourobservation, memory and reality become mankind know the world, experience theworld, the world’s way of thinking and way of communication. Documentaryphotography this topic unbroken by experts, scholars discuss, again and again, this is avery wide category, therefore, this paper only fetching xichang of sichuan liangshanarea of documentary photography works as the breakthrough point, through the analysisof the classic interpretation of documentary photography of the error in the process ofdevelopment, and puts forward some Suggestions. By independent pictures relate to thegroup even as a system or project type of shooting; From the perspective of the socialfunction of documentary photography, the photographer personal emotional sublimationto image the expression of humanism spirit, through the interpretation work to comband analysis. Finally return to documentary photography of common sense and reflecton the problem.The text is divided into five parts: the first part, from the microscopic view mainlyarrangement of liangshan subject makes an analysis of the types of documentaryphotography works; The second part from the macroscopic perspective, mainly group,into the system of documentary photography shooting liangshan subject matter works ofdocumentary photography carries on the analysis and comparison research; Third partreturn to documentary photography academic concept, the characteristic of sorting outdocumentary photography, summed up in the process of developing the documentaryphotography of myth; Thinking because of the fourth part, as well as response to theSuggestions and methods; Finally to conclusion, the main is looking to the futuredevelopment of documentary photography in China.