| Mongolia nationality created a rich, diverse forms of folk songs in its long hunting and nomadic life. As an important carrier of oral traditions, Mongolian folk songs contain the life experience and unique folk wisdom, which became the carrier of Mongolia culture. Based on the research of Mongolian folk song "White Deer" which is widely circulated in the east area of Inner Mongolia, the origin and the formation of the content of "White Deer song" and folk beliefs are studied in the paper by the using of sociology, hermeneutics and folklore theory. In Mongolia folk song "White Deer", the personification of the animal’s point of view, the hunter’s relentless hunting scene to be examined by value and moral judgment, the author analyzes spiritual animal attributes Mongolian hunting in the animal husbandry production lifestyle--White deer that is derived from the spiritual connotation, thus revealing animal and human contains harmony concept of the tolk songs in Mongolia.The thesis consists of four parts, introduction, body, conclusion and bibliography. In the introduction part, the reason for choosing the topic, research status, research methods, research purpose and research value are explained. Overview of research status, situation of collection, collation and publication of Mongolian tolk song "White Deer"; the first chapter analyzes the formation of social and historical roots of the Mongolian folk song "White Deer ana its inneritance ana deveiopment; the second cnapter, Mongolian folk song "White Deer"(the plot and theme), form (Language and form) and art (image, text description and Design) are studied on three aspects. From the creation angle of the folk story, through several aspects from the works of language expression, characterization, tneme connotation, the author focuses on the performance of the embodiment of the folk aesthetic creation; the third chapter reveals the customs, beliefs and cultural connotation of Mongolian folk song "White Deer". First of all, through the analysis of hunting and education in the folk, pointed out its performance in iviongolia folk song "White Deer". Secondly, belief for help and funeral customs, consciousness of the Mongolia folk song "unicorn deer" and explores the cultural connotation of the maternal worship.Through the above three chapters, the paper reaches the social and historical roots of the Mongolia folk song "White Deer" influences the formation of folk songs and its spread and evolution; the displays of spoken language, repeatability of meaning, the image of the opposition and the theme of the rich characteristics are explained in the text formation; Folk Buddhism belief, and maternal worship, folk custom, contained in cultural connotation and belief and consciousness by combining the conclusion. This paper discusses the Mongolia traditional hunting lifestyle, traditional ecological cultural conflict in the pertormance of the hunter and prey in the folk song, and tracing the folkiore origin of these natural and ecological ethics of human relations. |