Study About Playing Technique Of Korea Haegeum And Chosun Sohaegeum

This thesis is about analysis of Haegeum and Chosun Sohaegeum. Two separated cultures of Han peninsula, sentiments of Korean people lead the projective culture which fit to their ideology and political ideological-flow, the music area also inevitably have shown a different pace.From Chosun and Korea, in accordance with’ demand of the period’, the improvement attempt of ethnic instruments happened and also the improvement of the Haeguem has been in progress. As a result, presently in Korea is using two-stringed of Haegeum which preserved original shape, Chosun is mostly using four-stringed of Sohaegeum which is improved and each became heterogeneous. Nevertheless they definitely have intrinsic common of racial sentiment, expressed in "Haegeum". However for this, specific study was not quite satisfied. So in this paper, the study was conducted in following ways.Next to the instruction, the chapter2examined inherited process of Haegeum from Korea’ Chosun and the current status of performance of the two instruments. In chapters, we look into currently being played performance technique of Haegeum and Sohaegeum. First, examine basic playing technique of two-stringed Haegeum and four-stringed improved Sohaeguem, afterward compare the same effect on the instrument’s playing technique. In chapter4, we are going to check internal aspects of composer’ Baek Dae-Woong’ who had composed<Monggeumpo-Taryung> for5instruments, and then analyze feature, which are structure of music, melody, and rhythm, so that it can be helpful to progress analysis about Haegeum and Sohaegeum’s playing technique. In chapter5, mainly inquire expression of ethnic musical sentiments which are tones in accordance with structure of instruments, differences in playing technique, Sigimsae and Nonghyeon, beats accent.I hope that this essay can be a cornerstone for having better and higher quality of future study. Also expect to come out various points of view about exchange of Yanbian and Korea’ Chosun music as well as academic’ cultural study. For the development of Haegueum, I leave organology of improved Haeguem as a challenge.