The Post Production Of Yan Lianke’s Local-color Novels

Since Yan Lianke born in Henan province at August1958began his literarycreation in the1970s, who is extremely concerned about the misery of the land ofwestern Henan, and insists on writing the sufferings in rural areas. He begins to createthe popular realism Local-color Novels after the The Hometown of Lian Cheng, but hedidn’t obtain the acceptance widely in the period of Chinese-literature great prosperityin Chinese contemporary literary world owing to the “bad luck “in his earlycreation-time. In the1900s, Yan Lianke pursued for a new change in the repetitionand generalization difficulties of Local traditional realism Local-color Novels. Afterthe The Last Remale Educated Youth, a symbol of the war declared on vulgar realismwork, he began his unique Later Stage Local-color Novels’ creation with the "real"god of creation concept. With the theme of misery deepening, the narrative style hasgreatly changed. Yan Lianke proposed the creation-concept of God real in2011,namely, looking for a kind of being real which cannot be seen, but still exists. It’sinvisible reality which also be covered by reality with abandoning the logicalrelationship of the real and surface in his creative-process. The God real of creationconcept is not only a summarization of Yan Lianke’s Later Production Local-colornovels, but also depicts the blueprint of his creation in the future.Apart from the introduction and epilogue, this article is divided into three parts,the first of which gives a general overview of Yan Lianke local novel creation. On thebasis of discussing the development course of Chinese modern-contemporary ruralnovels and connotation evolution briefly, this article outlines Yan Lianke with"Yaogou-series" and "Palou series" as the representative of agrestic novels, indicatingthe writer’s art-faith for the real god in his later stage of novel creation. The secondpart illustrates the persistence and deepening about Yan Lianke’s Later ProductionLocal-color novels. And interpretate the writer’s respect towards the fighting spiritof the laboring people in the midst of suffering and the pathetical-mood to thelaboring people who were under the control of privatization of rights, combinedwith specific works of the mainstream writing topic of their suffering “residualdisease curse " and " power dense ". The third part interpreted the innovation anddevelopment of the narrative style about Yan Lianke’s Later Production Local-colornovels. By explorating the variety of stylistic features, allegorical writing style and thepersonalized language about the "Palou series", furtherly clarifying the Local Novelsvariability and uniqueness under the guidance of the writers "God real ’creative ideas.