The Personalized Language Studies Of The New Media Era Of Hand-drawn Animation Of Artistic Expression

Hand-painted animation is a traditional art form. Ever since the birth of the first animation in1906, this comprehensive art has already experienced a hundred years of history. Owning to its unique thought, rich individual expressive force and broad fancy characteristics, the hand-painted animation has always been favored by the masses. The rapid development of new media technology in1990s brought the new reforms for the animation art. The new media has gone deep into every aspect of human life, which greatly improves people’s life quality, changes the traditional thinking pattern and creation method, and triggers the revolution in artistic concept as well as the visual form. The new media technology with the three-dimensional technology, two-dimensional technology and FLASH animation as the representatives has occupied the mainstream position of animation, while the hand-painted animation has been marginalized gradually. The new media animation squeezes the space of animation in the workmanship and transmission mode. On the one hand, the content of the traditional hand-painted animation shall be expanded, and on the other hand, individualized language is needed for the single virtual style of new media technology, which has provided historical opportunity for the characteristics of hand-painted materials in the animation.As a kind of animation form with rich expression form, unique motion deformation and classic humanistic connotations, hand-painted animation is admired by people, and it is the fundamental motive power for the development over a hundred years, which has provided a shortcut towards the maturity for the creation of new media animation that is still in exploration. It is also the inexhaustible source for people’s creation in animation. In this paper, the expressional language and original thought about the hand-painted animation of excellent animators in the world have been arranged and studied by taking the hand-painted experimental animation as the research object. Its artistic characteristics, expression style and aesthetic form have been combed and argued, and emphasis has been placed on the analysis of the artistic personalized performance of the hand-painted experimental animation. The value and significance of hand-painted animation in the new media age has been examined from a new perspective by referring to the related theories about the historical humanity factor and Gestalt psychology. The rules for the integration of hand-painted animation and new media have been excavated, its individualized artistic characteristics have been concluded, and the significance of hand painting to the personalized performance of animation creation has been defined by sharing the domestic and foreign excellent experimental animation worksLooking into the development prospect of hand-painted animation, the personalized performance of the animation will be displayed by promoting the integration of hand-painted animation and new media, which will provide theoretical bass for the creation of cartoon in the new media age. In the21st century, the animation is developing towards the diversified integration. Hoping that the analysis and arrangement of the individualized language in the hand-painted animation can have inspirations to the creation of animation in the new media age, and it is also the aim of this paper.