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The Flying Fairy, Roots Back

Posted on:2014-12-24Degree:MasterType:Thesis
Country:ChinaCandidate:Y J HuangFull Text:PDF
GTID:2255330401981104Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
Root-seeking literature Gallery Exhibition Bing Zai, springs, toast two young,hair, Zhao Xiaojia such a large number of mad characters. Sick people crazy silly,because it seems silly like crazy behavior, epilepsy crazy stupid appearance and crazyperson stubborn ways of thinking of these innate everyone more or less with someproblems and shortcomings are inevitable, but more real, profound characters fromtop to bottom, from the inside to the outside of the physiological and psychologicalpicture. In addition, this morbid mad narrative text, not only can allude to backwardreality, and to reflect the culture, the human beings. This paper tries to explore themad figures value three mad characters from the root of generation, case analysis andcultural aesthetic implication.This paper consists of three sections:The first part mainly focuses on "create the root-seeking literature" in mad imageexpansion. Including the "generation of literature" in mad men and "Root-seekingLiterature" mad image two parts. Generation and fool image of the "Root-seekingLiterature" to do Genealogy Research, summarized three reasons:Modern love frommodern literature: a rich cultural connotations in the crazy and silly imagewriting,Cultural factors:"behind the critical demand and realistic causes of thecultural roots in traditional literature": lack of belief in Literature--"root" cure. Fullydemonstrated the mad figures generated foothold lies in: for the "root" search, andthen infer the possibility and necessity of the mad figures generated.In the second part, Han Shaogong’s "Dad Dad" and Wu Chu culture, a "settled"and the Tibetan culture and the "Shaanxi opera "Jia Pingwa" and Shangzhou culture asan example, from the fool, toast two young, Bing Zai cited in the Wu Chu culture,Tibetan culture in the Tusi System and Shangzhou culture factor--Shaanxi opera andother aspects of the root-seeking literature" in the case of mad characters.The third part mainly discusses from behind the aesthetic image of the mad, madimage narrative is unique and fool image of the deep value of three aspects of the"Root-seeking Literature" crazy fool image of the cultural and aesthetic connotations.Which contains the Western beauty and ugliness, magic realism, psychoanalysis,Carnival Poetics Theory of several major theoretical, unique narrative to parse themad figures rich and profound and fool perspective, paradox theory, in the dual value dimension of Zhang Yang historical reason and humane care of the aesthetics of art.To sum up in a word, the root-seeking literature the mad figures still has aprofound significance and enduring value, they use their own crazy silly thinking,with unclear, not clear off the language was miraculously, full interpretation of thenational culture and national spirit for the soul of the "root" of the necessary and theurgency as well as the literary aesthetic value of art can inquiry.
Keywords/Search Tags:Root-searching Literature, Mad Character, Case Analysis, Fool Perspective, Paradox Theory, Humanistic Care
PDF Full Text Request
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