Theory Of Works "between Cloud Water""Meaning To Control The Shape" Expression Of Creating Concept

In this paper, based on the traditional style of Chinese landscape paintingperformance, from the development of traditional Chinese landscape paintingmethods and transformation, the meaning of the Chinese landscape painting freehandbrushwork in traditional Chinese way to research and analysis, aims to explore theessence of Chinese landscape painting creation. Especially for photo and freehandbrushwork in traditional Chinese painting two expression methods for the newunderstanding and deep thinking, and through the practical exploration into hiscreation. Last chapter in detail for the conception, structure and formation process ofgraduation works, combination of above theoretical research in the creative process ofcreative series of paintings "landscape between a large number of exploration.Summarizes the artistic creation style send realistic modelling in freehand brushworkin traditional Chinese painting creation,"to control the shape of the" specific views.Research will through the landscape of ancient Chinese people to the nature oftrue performance, to explore "photo" in the Chinese landscape painting creation ideais put forward and deepening, this unique pictorial view of Chinese landscapepainting creation in the forming process, analyzes its spirit and profound Chinesecultural characteristics on the influence of Chinese landscape painting creation. Andsignificance is through the Chinese landscape painting freehand brushwork intraditional Chinese freehand brushwork of connotation analysis, points out the key isthe "meaning" of freehand brushwork in the actual situation, at last, through reflectionon the traditional image style, illustrates the concrete embodiments of Chinese landscape painting freehand brushwork in traditional Chinese.Finally in this paper, through sublimation natural landscape, the god of pointingto the state of "nature and humanity", and focus on the white stone old man’s sayings:"painting wonderful between like and don’t like." Points out the essence of Chinesepainting, and apply to their own creation, so as to put forward his concept of "tocontrol the shape of the" creation.This thesis aimed to yourself during the process of the traditional Chinesepainting creation of Chinese landscape painting creation and how the problem oftheory thinking and summarized. Mainly the content of the paper is "realistic" and"freehand brushwork" of Chinese landscape painting of the two main theoreticalanalysis of the traditional technique of expression system and put forward his "tocontrol the shape of the" creative ideas and feelings.