Mirror And Image:the Homogeous Elements Of Woodcut And Narrative Of Luxun’s Essays

Essay belongs to the language art, and woodcut belongs to plastic art, the various kinds of difference which are exist in the external form, but in terms of internal form, there are many similar characteristics. Woodcut elements penetrated into the narrative of Lu Xun’s essays, and left many indelible marks in kinds of artistic skills, such as the structure of aesthetic, artistic modeling, black and white color and language strategies, so the woodcut and Lu Xun’s essay formed a relationship as "mirror and image". This paper elaborates isomorphism theory to analyze and discuss the unique aesthetic qualities of Lu Xun’s essay by centering on the color, composition, modeling and speech of Woodcut elements, thus it is not only a way to the art world of Lu Xun’s essays, but also it is a important way to the Lu Xun’s spirit world.We have to deeply discuss the relationship between Lu Xun and woodcut before we analyze the homogenous elements of woodcut and the narrative of Lu Xun’s essay. Then, is the wood carving art effects the aesthetic mentality of the Lu Xun’s creation, or the aesthetic psychology of Lu Xun’s creation impacts on the advocacy of woodcut movement? It is no doubt that choosing any one of them to discuss will make research into partial. There is a two-way relationship between the woodcut and this remarkable litterateur and artist. Woodcarving elements not only infiltrates into his inner aesthetic psychology, on the contrary, the intrinsic aesthetic psychology impacts on the advocacy of woodcut movement, and hence we can further raise the isomorphic relationship of Lu Xun’s essays and wood engravings.In terms of aesthetic structure, different composition forms are a reflection of different internal logical thinking of the writers and artists. He chooses two kinds of unique structure form on the arrangement of the narrative structure:one is "focus" structure; one is "layer upon layer cut" of "peeling bamboo shoots type" structure."Focus" structure not only makes the essay materials toward narrative focus by cohesion and centripetal force, but also formed two lines around the "focus", namely the article external image clues and inner thoughts clues, finally the article external image clues joins inner thoughts clues at "focus", and point out the theme of the text meaning. In addition, the "peeling bamboo shoots type" structure makes the essay theme is not unexpected to the readers but in form of step by step and layer upon layer, the conclusion of the text finally comes to readers Only through the last layer. This composition skill makes Lu Xun’s essay form a "Well-knit god do not come loose" artistic effect.It is easy to for Lu Xun to manage and master the black-and-white, light and shade contrast, cold and warm fellowship of woodcut elements, make the essay reveals the intense aromas of woodcut’s lasting appeal. In Lu Xun’s essays, black-and-white color not only from the black and white natural color, but also from the natural imagery and humanism discourse formation. such "night" discourse structure, make the black-and-white color directly presented to the reader by the explicit form. In contrast, the marginal desolate wilderness, sand stone desert, white graves, cruel penalty indirectly implies Lu Xun’s black and white color. Correspondingly, the transition between black and white is a true representation of the inner emotion of love and hate. Therefore, we can through the discussion of Lu Xun’s essays color to analyze his sensitive inner world, the organic unity of dual emotion of "cold" and "hot","love" and "hate".The choice on modeling techniques of the essay, Lu Xun widely and generally used the woodcut engraving’s "features" and "sketch" modeling technique. The author successfully created a series of solid and comprehensive characters by describing the core components of the facial features. Such as stare, open eyes and bursts of red muscle’s eyes, Wrinkle, saving, across the eyebrows, sucking, licking and crossly mouth, White, red, high, short nose. The text reveals the character’s traits by describe the facial details, perfectly portrays the social various. At the same time, the author also uses the "sketch" skills make the characters not only like the stick sketch, but also like a cutter to depict and make the scene simply and overall. Author organically fused woodcarving modeling techniques to the essay comments and reasons, make simple picture form convey a lot of complex emotions, show the essay endless artistic charm.There is a relationship between the speech strategy of Lu Xun’s essays and woodcut engraving knife skills. Such as "lock the pausing" the use of punctuation, the authors often add "!" or "?" in the position of the sentences which shouldn’t pause to make the sentence semantic vagueness and entwine. There are many forms of rhetorical question and some suddenly stop ending, All reached the implicit as the "retain" of the woodcut. In addition, the rhetorical elements of "Rhyme","repeated" and "parataxis" make the similar rhythm of the word, the same word repeated ably collocation are together and make the essay presented the repetitive language rhythm. In addition, the inornate narrative of Lu Xun’s essays, such as content words to arrange properly, or function used accurately, all Shows the aesthetic character of "the beauty of force".Through the discussion of the homogenous elements of the woodcarving and narrative of Lu Xun’s essays, it is easy to find that if the wood element as a mirror, then the essay in the text has spawned multiple images. It will be reveal that how the woodcut elements infiltrate into the aesthetic structure, black and white color, modeling techniques, speech strategy of the Lu Xun’s essays. At the same time, Lu Xun’s literary works Show different properties in that era, brings a different aesthetic feeling to readers.