The Theory Of Liddy In The Southern Song Dynasty And"the Maple Of Eagle Pheasants Figure"

The Idealistic Philosophy of the Song and Ming Dynasties Critically absorbed the Buddhism and Taoism’s metaphysical way of thinking about the generated universe and metaplasia theory. Ruminating the position and meaning of universe, explore the relationship between human being, man and nature, man and society, and gradually form the Chinese cultural psychology. The Idealistic Philosophy of the Song and Ming Dynasties also reflects the sense of commitment, pragmatic rationalism and humanistic pursuits.After Five Dynasties and Ten Kingdoms, Northern Song Dynasty set up Hanlin Academy of painting and calligraphy. Northern Song Dynasty inherited the old tradition of Five Dynasties and Southern West Sichuan, establishing the Hanlin Academy of painting and calligraphy, Hanlin Academy of painting and calligraphy playing a positive role in promoting culture and education development for the Song Dynasty painting and also cultivates a large number of painting talents."Huang Quan wealth, and Xu Xi Ye Yi" have become two mainstreams of bird paintings during this period. During the Southern Song Dynasty, Bird and flower painting not only experience Improvement and form to a complete system but also development to a richer, more sophisticated direction.This paper is intended to illustrate the Song Dynasty, especially the mainstream of thinking of South Song Dynasty:the embodiment of "li" and "qi" in song Dynasty’s Bird and flower painting. Focusing on the reprehensive painting of li Di---Maple Eagle pheasant diagram to study the concept of "li" and "qi" and analyze the relationship between "li" and "qi" in Composition and color aspect.