The Eastern Aesthetics In Xu Qinhao’s Films

Oriental aesthetics is another system as opposed to the western aesthetics. It curses the emergence of a number of deep Oriental aesthetic essence of film director and the unique Eastern films under its influence. In Eastern countries as an important member in Korea, Xu Qinhao is undoubtedly the most outstanding representative of Oriental temperament, his films from the aspects of different degree reflects the Oriental aesthetic.This paper is divided into four parts. The first part, discussing the eastern implication thought shown in Xu Qinhao’s film, divided into three sections of his works convey the love outlook, outlook on life and death and survival analysis. The first section is mainly from the calm and indifferent, tolerance and taboo, tolerance and understanding, optimism and oriental aesthetics characteristic look forward to four aspects of the concept of love, and has analyzed its negative pessimistic. The second section mainly analyzes manifests its work in view of life and death rebirth Lok died, mainly from the thought, the theme of the suffering persist in life and death calmly in three aspects of the philosophical thinking of suffering and death. The third section focuses on the analysis of he conveys human to nature, life in nature emphasizes the harmony between man and nature living view, mainly from the seasonal changes and emotions in his works, a large number of fate change by nature background in corresponding and people and natural emotion and mutual infiltration of three points to carry out in-depth analysis. The second part of the article is to analyze the language mirror system Xu Qinhao’s film poetic restraint from the audio-visual language point of Oriental characteristic. Both the shot, composition of the exquisite music, Xu Qinhao will take the label strong oriental aesthetics. This part is from the three aspects of. The first section from the empty lens, lens, depth of field lens and the lens effect of distance to the analysis of Xu Qinhao’s use of the camera. The second section analyzes Xu Qinhao Oriental aesthetic characteristics in the composition, the third section is analyzed from the music features.The third part of this paper focuses on the analysis of the lyric style film shown by the Oriental aesthetics. The first section is from his emotion analysis technique, through three aspects, no words to convey the same scene reappearance and emotional development way to express their emotions convey delicate and subtle manipulation. Second, section three focuses on the analysis of the rhythm and the creation of artistic conception, aesthetic characteristics.The fourth part of this paper is the cause of the Oriental Aesthetics in Xu Qinhao’s film, the source from the two aspects of He of traditional Oriental Culture Nostalgia of traditional oriental humanism care analysis reflected in his films the Oriental aesthetic characteristics.