| JingDuYuanLie and ShuXing are all previous dynasties famous writer’s enduring theme,in the creation of the accumulation of unceasingly,we found that the subjects of Fu in the stereotyped tendency.Currently more academic attention on JingDuYuanLie Fu and JiXing Fu’s subject content and writing style,and on the dry wall.However, the research of its narrative pattern is relatively lack. In this paper,namely to JingDuYuanLie Fu and JiXing Fu’s narrative mode as the research object, on the basis of predecessors’ research results,with multiple perspectives on the analysis,trying to system reveals the narrative pattern in the two subjects.This paper will be divided into three chapters:In the first chapter,in accordance with the different narrative point of view, JingDuYuanLie Fu and YouLie Fu can be divided into three types:by narrating content as the main body of the narrative mode;To the narrator as the main body of the narrative mode;In narrative space as the main body of the narrative mode.In narrative content as the main body of the narrative mode, YouLie Fu can be divided into four parts,hunting preparation process,hunting,hunting to offer,and in its narrative pattern in each section.JingDuYuanLie Fu’s second kind of narrative mode is the author intends to create a character,on behalf of myself as a commanding summation narrative subject;In addition, in the narrator’s internal there is also a kind of narrative patterns:object by the narrative point of view cause narrating subject,narrating subject point of view over the narrative object,finally both as a unified,achieve the goal of defining.In narrative space as the main body of the narrative mode’s pattern first performance in the integrity construction of narrative space,secondly embody in the depiction of the space form object body content.Integrative mode of narrative space is not only reflected in the creation of Han Fu,Han Dynasty’s HuaXiangShi and murals on the space layout also reflected the integration model of composition.The second chapter to explore JiXing Fu narrative mode,this chapter is divided into three:to"the preface-main body-Luan"as the main structure of the narrative mode,Away and back psychological narrative mode,sad scene and the feeling of sadness narrative mode.JiXing Fu consists of three parts--preface,text,Luan,in the part of"text",using route as the basic clue and constructing a unified narrative pattern,namely according to the "geographical position--historical figures--Express feelings"pattern and style.The Han Dynasty’s JiXing Fu inherited Qu Yuan’s Away and back psychological narrative mode,namely as the journey unfolds objectively drifting away, this is geography of away,but the author record the history,and contact with reality,fully display the psychologically back.In the aspect of scenery description,In the sad scene and the feeling of sadness’s narrative mode,JiXing Fu began to describe the sad scene in the north,and this kind of sad is combine with the suffering of the people’s livelihood,the pain of drifting.The third chapter describes JingDuYuanLie Fu and YouLie Fu’s ethos:the noble spirit,the charm of flaunt and realistic spirit. JingDuYuanLie Fu in narrative content as the main body of the narrative mode of preparation before hunting mode and hunting after finishing,entertainment under fully shows the noble spirit.In narrative content as the main body of the narrative mode in the depiction of etiquette culture,enrich the noble spirit from the deeper.JingDuYuanLie Fu in his mode of most of these have conspicuous express spirit,with narrative space as the main body of the narrative mode,for the whole of the narrative space construction the spirit out of the show.In the narrative mode of JiXing Fu assigned throughout the realistic spirit,first of all in the"the preface--main body--Luan"as the main structure of the narrative mode,he narrative subject of preface,text,Luan is the first person narrator,enhance the authenticity of the Fu; Secondly in the "geographical position--historical figures--Express feelings"narrative mode of grain levies mental performance in real records of a large number of historical facts;Finally reflected in Away and back psychological narrative mode hidding the Confucian heart;The Han Dynasty paintings realistic spirit is similar to JiXing Fu. |