On The Chinese Realist Film Aesthetics

Chinese film aesthetics in the development of more than one hundred years, never stop the pursuit of realism aesthetics, film can be seen in the works in different periods of realism aesthetic grasp and in-depth study, as a result, the Chinese film aesthetics of language, no matter how to transform, all must be based on reality, and deeper into the national spirit and national culture as the carrier.Throughout the Chinese film aesthetics system, in under the influence of the western film theory and film aesthetic theory, the Chinese film based on Chinese aesthetics, develop the film realism aesthetics aesthetic principles, film makers will own cognitive, role in the objective world material and the subjective aspect of human expression, through montage and long, projecting the role consciousness. In the movie Will appear movie plot embodies the creator of the spirit of artistic conception and aesthetic orientation, constitute a kind of aesthetic form.This article from four parts to analyze Chinese film realism aesthetics, the first part introduces the Chinese movie art began accepting aesthetic experience, from the development of Chinese film history, to understand western film production technology and theory has had the enormous influence to the development of Chinese film aesthetics. The second part introduces the mixture of the Chinese film and realism aesthetics, embarks from the reality genre films attaches great importance to its artistic quality, gradually absorbs the thoughts of Chinese aesthetics into the movie, developed the realism movie aesthetics system. The third part introduces the Chinese realism movie aesthetic characteristics, from its literariness, critical and cultural dominance and further analyzed the realistic films contained the development of aesthetics and aesthetic thought. The fourth part analyzes the aesthetics system of Chinese realism movie of the problem, including virtual reality beauty shock, the contradiction between realism and commercial issues, by thinking about these issues, triggered a way on how to revive the Chinese film realism aesthetics thought, the author further analyzes believed that in the end, the Chinese realism movie aesthetics return to carry forward the national character of realism aesthetics.