Image Study Of Male Wang Xiaoshuai Movie

Many male images in Chinese film. We can see a more complex character; thebreath of life is more full-bodied characters in Wang Xiaoshuai movie. WangXiaoshuais cinematic style more stable in the new generation of film director. Hegraduated from Film Academy has maintained a speed2-3years movie, writing hismovie life. So far, he directed10films works. Each movie gives old head on youngshoulders, feeling profound thinking; he shaped the strong male image with its owncharacteristics.This thesis is divided into four chapters, to do analysis and generalization ofImaginations movie male image. Paper attempts to summarize Imaginations directorintended on the male image settings and cultural connotation. Chapter1DescriptionImaginations movie experience and award-winning situation; brief description of thecontext the film early1990s, Wang Xiaoshuai produces independent films.Description Imaginations Film Studies papers, male image research significanceImaginations movie. Chapter2focuses on the male images in Wang Xiaoshuai’s films.Divided them into the image of fathers, rebel artists image, the edge of the cityimages and youthful images. From the point of view of the male images, the imagesof the male are documentary features, except "The Days" and "Frozen". Such as"Drifters","Beijing Bicycle","In Love We Trust" the male images in life are clearlyvisible, not the kind of images of the strong European alienated qualities of men.Compared to Lou Yes’s "Suzhou River","Summer Palace","Spring Fever" male images.The male image Imaginations generally men of few words, but concrete sense,simple moving in Wang Xiaoshuai’s movies.Chapter3from the details of the image,the lens scheduling, light and shadow composition analysis of the way of the shapeof the images. Chapter4discussed the significance and meaning of the malecharacters. At the same time, I also feel Wang xiaoshuais recent works, the so-called"individual" has gradually blurred. Beyond the theme of his works to expand,seemingly independent, but in fact universal social phase. The types of shape of themale images also reflect the period of the process of change in Wang Xiaoshuais films. This change process with his plight to comprehend, struggling to return tothinking of the process of change.This article does not divide the male images into heroes, husbands, sons, withthe figure of the male sex characteristics. The article as an entry point to the maleprotagonist in Wang Xiaoshuais movies. Analyzed from the point of social andcultural shaping the images of the male protagonist. Actually our main objective is tounderstand his artistic concepts and creative characteristics.