Virtual Reality

Mo Yan’s novels absorbed bizarre modernist school of western literature and Latin American magic realism art gimmick, Chinese folk local features and combining the language style, showed strong legendary and absurdity, dedicated many great works to the world literature with personal style and Chinese characteristics one by one. This article attempts to explore its internal mechanism of absurd narration from the characters, plot, imagery and the narrative strategy, aware of his work for real and fictional, past and present, existence and nothingness, such as binary relations between good and evil human nature deep thought.The introduction section made a simple comb of absurd literature, points out the absurdity of contemporary Chinese literature in absorbing western absurd literature and the essence of Chinese traditional mystery novels on the basis of the development of the localization.The first chapter introduced Mo Yan’s resume and his major works, emphatically analyzed the main reason that Mo Yan won the Nobel Prize for literature, and introduced the achievements of Mo Yan’s absurd novels.The second chapter analysed the absurdity of Mo Yan’s novel from the perspective of character, mainly from two aspects of characters and the character language interpretation. Among them, the character image is divided into two categories, weird and ordinary, while the character language and folk proverb from daily spoken language use, the character of the absurdity of readme and dialogue analysis of two aspects. These characters for the construction of Mo Yan’s novel absurd atmosphere and artistic value of the building played a huge role.The third chapter analysed the absurdity of Mo Yan’s novel from the aspects of plot. In this chapter, in view of the absurd story, mainly from several aspects, such as revenge plot, agrestic complex and folk beliefs, extreme portrayal of the violence and ugly, extreme portrayal of the material. This chapter aims to, through the study of plot absurdity, excavation effect of defamiliarization come from mo yan’s novel. With modernist school of western absurd plots of the novel is the author’s elaborate design, Mo Yan in the novel the myth story is, apparently, is for the mysterious imagination show writer, but different metaphor contain among them, let the reader understand and ponder.The fourth chapter analysed the absurdity of Mo Yan’s novel from the perspective of images. This chapter in three of the works of Mo Yan classic image "wine","meat","red" as examples, the works of the absurd imagery for appreciation. The surface meaning of the image to the absurdity of works more atmosphere, and at the same time it contains symbolism makes the works more thick.The fifth chapter analysed the absurdity of Mo Yan’s novel from the perspective of narrative strategy. Using narrative theory in this chapter, in view of Mo Yan’s novel absurdity, has carried on the theoretical analysis, focusing on the works of narrative mode, narrative perspective, narrative time, narrative language, etc. Among them, the narrative refers to "story" and "epistolary" two kinds, the main narrative point of view of the children’s perspective of absurdity, and narrative convenience, deliberately disturb and subtle restructuring is the main characteristics of narrative time, and exaggerated description of real situation and carnival language is the main characteristic of the narrative language.The epilogue part in Mo Yan and his works as the breakthrough point looking to the future of Chinese contemporary literature. First discuss the absurdity, Mo Yan’s novel the real and imaginary relationship, pointed out the absurdity of his work is a kind of "virtual reality". Then, this part analyzed the Mo Yan’s literary creation and won the Nobel Prize for literature enlightenment and contribution to contemporary Chinese literature.