Chinese Contemporary Art "Cultural Revolution Art Symbol" Research Semiotics Perspective

In the multicultural society background, Chinese contemporary art presents newdevelopment space. In "the Great Cultural Revolution Art Symbol" as elements of the creation,has become a unique phenomenon Chinese contemporary art. From the semiotic theory,Chinese contemporary art in the "Cultural Revolution Art Symbol", the signifier and signifiedrelationship no longer corresponds to one one, showing a new meaning, connotation. The Chinacontemporary art in the "Cultural Revolution Art Symbol" phenomenon of inquiry, focusing on"art during the Cultural Revolution" to the evolution of the "Cultural Revolution Art Symbol"creation, based on the theory of semiotic, method, tries hard from the signifier and signifiedrelation, analytic "Cultural Revolution Art Symbol" refers to the change in different contexts,refer to shaded, transformation, generation, deconstruction and construction, relationship,explains the relationship between the original symbol is overturned, the new symbolconnotation in theory feature generation.Two level symbolic system on the basis of "Bart"(i.e. the semiotic theory of inquiry). Bartthought, signifier and binding refers to the symbol, which is the primary symbol system;primary symbol system at the same time as the second level symbolic system can refer to, andnew refers to combination, produces secondary symbol means, namely "two level symbolicsystem". Barthes’s theory as the theoretical basis of "the Great Cultural Revolution Art Symbol"research. Depending on the relation between the sign and the sign symbol context. In differentcontexts, due to the emphasis on the resulting energy refers to the fall out from the symbolintegral, combined with new referents. Bart thought, each point has been referred to replace,and can guide corresponding is no longer fixed referred to, but a lot of the signifier, whichrefers to the group. Can refer to the referent refers to the process, has not yet reached the pointwhere has been elsewhere can refer to.This paper is divided into three chapters: the first chapter is the theory of semiotics. TheSaussure symbol dualism, semiotic theory in the development of the Peirce symbol threemethod, Roland Barthes’s "two level symbolic system" theory were summarized, in order tocontemporary art in "the Great Cultural Revolution Art Symbol" phenomenon of semioticstheory. The second chapter gives the definition of China contemporary art, to Bart "two levelsymbolic system" of the "Cultural Revolution Art Symbol" theory and creation phenomenon analysis. This chapter is the focus of this paper. The third chapter takes the time as the clue, the"Cultural Revolution Art schemata","Cultural Revolution Art schemata deconstruction","Cultural Revolution art symbol to construct" background of the times and the creation featuresare expounded, explore the signifier and signified from initial primary means in relation to thechanges and development of the relationship between the secondary meaning. Focuses on theanalysis of the Cultural Revolution Chinese contemporary art image appropriation interestrelations behind,"game of signifier" semantic reconstruction of the "Cultural Revolution artsymbols and re explain". Description of contemporary is a "symbolic manufacturing" socialintegration, symbol has become part of the community, from some kind of degree the mastersof society view. The conclusion part is the summary of this paper and theoretical reflection onthe core issues.