From The Flames To The Romantic Lyric Blade

China is the hometown of prints, has a long history, but Modern print is not conceived in ancient woodcut prints of fertile soil, but by the overseas promote to. From twentieth Century the beginning of the30’s to the early60’s, Chinese modern print only had developed30years, it have changed from a little "weeds" who give birth in a dark, grow into forest, followed by the objective requirements of the development of the times, creative direction along the realism, by the criticism, turn to sing the praises of war, lyric, showing a scene of vigorous development, wrote a thick in China modern art history. In the transformation of different context, modern print by its glorious history and tradition, a high degree of social responsibility, to achieve the two climax of Modern Printmaking, representing two distinct creative style, produced many outstanding works, has a distinctive mark of the times. This thesis aims to analyze and research the China before modern artist Li Hua, Gu Yuan, and after the founding of the print works of art, as the basis of the art style point of view to examine the modern print from combat to change the lyric, on the basis of the political, economic, cultural, social background, comprehensive analysis print activist etc, cause argument modern art style rheology.