Theoretical Research On Benjamin Artistic Production

This thesis puts Benjamin’s theory of artistic production as the main research object, consists of three parts:the introduction, body and the conclusion.In the part of introduction, this essay focuses on the significance of the thesis, the main emphasis of studies, and research status on Benjamin’s theory of art.The first chapter is a "social history and theoretical resources on the construction of Benjamin artistic production", consists of two parts, the first section discusses the birth of Benjamin artistic production on the social and historical conditions, including Benjamin’s youth space conversion study tour experience and the changing technological environment; in the section of "theory of resources", includes a detailed Benjamin’s artistic production from Marx’s theory of the development of artistic production. In the part of "Reference On the artistic production of Brecht and other scholars ", the paper discusses the Benjamin academic partners (such as Brecht) on the absorption of artistic production.The second chapter discusses connotation Benjamin artistic production theory in detail, which is the key section of the paper, were elaborated from the artist, artwork, artistic sense of the three dimensions.The purpose of the paper is not to create a theoretical construct Utopian theory, but to contemplate reality. The third chapter, the author attempts to combine Benjamin’s theory of artistic production with our nowadays.Of course, being born in the beginning of the Age of Mechanical Reproduction Benjamin’s artistic production theory does not cave to see the changing realities of contemporary society, its theoretical limitations will be mentioned in the end of the paper, mainly are "difficult to generalized method of literary criticism,"" mourning’aura’fades away but not seeing classical regression "and "vigilance trap of mass culture but failed to put forward a clear plan" and so on.