The Study Of The Female Images Of Left-wing Film Literature In The1930s

The left-wing film literature in the1930s is an important part of the left-wing literarymovement, and a peak in the history of the development of Chinese film, the film literaturewas produced on the occasion of national survival, with the metropolitan Shanghai as thecenter it affected the country.Groups of women in the left-wing film literature are worthy of attention, the screenplaywriters shaped the diverse images of females, they became an integral part of the left-wingfilm literary figure gallery. Through the left-wing film literature script (or film capable, thefilm story) and movie reviews, this thesis analyzes the images of women，and combined withthe movie females before the1930s to analyze the conversion characteristics of the females.The movie females before the1930s were most of traditional women, such as traditional Miss,widow, civilian woman，there were also some students and bourgeois Miss. To the left-wingperiod, the movie females changed, revolutionary women emerged, the number of knowledgeof women and occupation females increased, it is the result of the left-wing writers broughtthe left-wing literary and art thoughts into the movie creation, as well as the May Fourthenlightenment discourse and women libration thought appeared in the left-wing film literature.At the same time, through the study of influence the left-wing literary on the left-wing film toanalyze the female images pattern and significance of left-wing film literature. Thesignificances of female images mainly are the female destiny and movie theme echoes, theimages of female reflects the dark side of the urban, presenting the female utterance situation.