Research And Protection Status Of New Year Painting Zhuxian Town

New Year painting is the leading of folk art, which is the largest scale and production in thehistory, and cultural information, what`s more, it`s regionalism is strongest. New Year painting isan exaggeration of the folk art in the Chinese spirit world. The topic of it consistently recoveredpeople`s ideal of life in the farming China different period, as well as spiritual pursuit--prayingrang disaster until the end of the year. Particularly prevailing in the unique traditional festivaltime. The Festival is an extremely ambiguous and complicated moment in the life of the individual.It symbols a night full of Carnival spectacle and sensory pleasures even romantic encounters. Newyear paintings hosts the entire contents of these prayer times. Culture is most easily overlooked inthe process of transformed from a real practical value as a historical and cultural value ofdiscarded. New year paintings is one of these culture is gradually being devoid in this history. Itdraws more and more academics`and world wide attention. In the recent years A fact can be findin the process of consulting relevant Zhuxian Town New Year paintings of literature, it is that:Although zhuxian town paintings documentary Chronicles has been going up, zhuxian town, sofar no systematically literatures and Research on New Year paintings Zhuxian town. The authorbelieves that systematically combed the literature and general research on Zhuxian town paintingscan myth it. Throughout the course of thesis writing, carding classification system dassed on theprevious research, and on this basis of zhuxian town new year’s paintings in protecting andpreserving developments and present situation and future direction for further in-depth discussion.This dissertation consists of the about34000characters. The second chapter of the dissertation,combs the research works about the status of research and conservation, discusses the historicaldevelopment of immortals township paintings and related issues of controversy and different pointof view, In the third chapter systematically discussed the form of Zhuxian Town New Yearpaintings, from researchers in Zhuxian Town New Year paintings decorative study, comparativestudy of color and design research, and analysis the controversial argument and the specialargumentin the study. The author thinks that this section of research not only multi-anglecharacteristics of multidisciplinary, and minded. It not only has a positive impact on the promotionof zhuxian town prints research, accompanied by useful arguments, also reflects the overallprosperity of the study on Chinese new year paintings. In the fourth chapter, the author recalls indetail the research scholars ’ studies on the value connotation of zhuxian town paintings in thehope of a better grasp of the fundamental characteristics of the development of new year picture of zhuxian town. Through the previous four chapters`systematic review of research literature, basedon a more comprehensive and clear understanding on the occurrence and development of contexton history research New Year paintings Zhuxian Town,the writer enter the review, analysis andreflection stage in the fifth chapter. I have attempted to explore the value of protection andinheritance of zhuxian town paintings, well under the condition of market economy, developmentstatus of zhuxian town new year’s paintings. The author believes that the summary of researchNew Year painting Zhuxian`s real purpose is to take history as a mirror and carrying on thedevelopment direction of looking to the future, with a view to future development of zhuxian townpaintings humble.