The Research On Zhaokuangyin Image Rheological In Ancient Fictions And Dramas

In this paper, the ancient fiction and drama Kuangyin image are combined to analyze thecharacteristics of the Zhaokuangyin image at different times in history, as well as its image inrheological law and reason. Kuangyin has more real life stories documented in the history books.Kuangyin history though is a little flawed, but it is mainly Xianjun making the main image, as isthe case in later literary works more or less in place in different variations. Its image in themid-Yuan, Ming, is also Lord Mingjun. The works of this period are more than beautification andfinish by showing the image of the monarch of the situation. Late Ming to mid-Qing bornsecularization trend is showing a large number of details of life, tales of heroes, and mythicalscenes, which add ingredients to give the Kuangyin image a strong secular flavor. The emergenceof the rich color of its negative image in the late Qing fiction drama criticism appeared in a numberof its incompetencies, showing cowardly and cruel Guaen content. Rheological analysis helps trackits image more clearly.Covering the evolution of the factors causing the Kuangyin image, this paper describes twomain aspects, namely, the impact of social trends and changes affecting the evolution ofcomposition tactics. Social thought is described through major changes in the monarchical concept,rising social consciousness of women, and secular factors. For ordinary people since the Yuan,Ming emperor’s attitude has been slowly changing. Yuan, Ming emperor is in his civil reverence,and to the late Qing Dynasty turned rebellious spirit and consciousness coexist on servility. Withwomen’s social consciousness helping develop society, the more obvious changes occur. Women inthe Yuan, Ming and social consciousness in the medium term, the state is ignored, to the late Mingand early to elevate some women’s social consciousness, reflecting an increase of its scenes andconsciousness in the works. A large image of the late Qing heroine portrayed women in a way thatalso reflects the rise in a larger social consciousness. Changes include techniques to compose thetheme from a single source to hybridity, episodes from the simple to the complex from the simpleto the cross and multidimensional character. Overall, themes influenced by the source of eachdynasty creators of social thought and creative thinking are presented.