Music Development Of Tianjin Ditty

Tianjin ditty is one of the most representative Chinese folk art forms varieties. It is derived from the tune spread in Tianjin in the Ming and Qing dynasties. It was formally named in1953. Its main melody have Kaoshan tune, Yuanyang tune, Laha tune, Dashuzi tune, Qiewugeng tune, Xiaowugeng tune, Beiqiu tune, etc. Since the1950s, represented by Wang yubao Chinese folk art forms workers started to reform and innovation to Tianjin ditty, experienced reform exploration period, reform breakthrough period, mature period, the content including music structure, the accompaniment musical instrument, stage scene, theme, created a "fell watermelon","brew storms on rivers and seas","chairman MAO came to our village,""A pro-military and civilian","spring is coming","The dream return to the mainland" and other excellent works. Into the90s, for the authors, musical instrument teachers and actors retirement or death one by one, the development of Tianjin ditty fell into the trough. Based on the relevant literature and field survey, this paper analysed the music of typical works, and development of Tianjin ditty of context, and the development present situation to carry on the rational analysis, in order to provide some ideas and help for the sustainable development of Tianjin ditty.