The Agitation Of Tradition Arid Modern

In the process of opera development, the topic of "tradition and modern" has beenlong lasting new, especially in the period of tradition-to-modern transformation. I haveselected an innovation play-the huangmei opera "huizhou women" to analyze, whichhad been controversial since it was appeared. The main purpose is to excavate it as wellas reveal the confusion and possible answers of it in the surge of tradition and modern.This essay uses literature method and analysis method to research “huizhouwoman” and the problems that were generated by it. It is divided into the following fourchapters. The paper reviews of the introductory part mainly introduce this research, thestudy method and the meaning of this research. The first chapter mainly introduces thecultural background of the formation and development of “huangmei” opera, as a theresults of the combination of the local beautiful geographical background and profoundhumanistic environment; The second chapter mainly interprets it from the main body ofhuizhou women play itself, in which it has reflected the traditional inheritance of“huangmei” opera and the "new" poetic aesthetic quality of the artistic quality ofmodernity pursuit; The third chapter discusses the "hui" play’s subversion for thetradition and the problems that were generated by the vigorously pursuing of othersimilar forms of art, and reviews of the controversy over the positive and negative pointof view from the readers from different background; The fourth chapter mainlyintroduces the enlightenment of modern opera from the controversial of “huizhounvren”,lead to the reconsidering of the law of development of provincial operas and theproblems that should be paid more attention to, from the two different perspectives oftradition and modern; Conclusion part summarizes the main idea of this paper, opinionsand expectations for local opera development.The research significance of this essay lies in the fact that China is in an era ofglobalization in the21st century, the field of local opera is facing a series of problems ofthe contradiction between tradition and modern, such as how to retain the tradition oflocal opera while keep the development of economy? Has the innovation inherited andretained the essence and advantage of huangmei opera? What are aesthetic qualities ofthe new genre of opera, and could the new qualities be able to get extensive andspreading? How to face the effects on local opera art in the process of modernizationfrom Western art? Which are worth pondering and discussing in the tradition of localopera to the period of modern transition? In this circumstance, dramas need to do variousexplorations in provincial opera, excavating and discussing the artistic value of the localopera and the essence of the tradition. It must have its charm, while there aredisadvantages of modern, how to be trade-off between tradition and modern, harmonyboth of them, is an issue that all the dramas should think about.