The Particularity Of The Vocabulary Of Symanowski’s Piano Prelude

Szymanowski is known as "the father of modern music of Polish", his unique musical style, with exotic and beautiful, ecstatic feeling and look forward to the glorious height of color and comprehend. Szymanowski’s piano preludes fully demonstrated his unique writing style of creation technique and culture values of music.In the process of gathering information, I found information on researching Szymanowski’s works are rare, and the research of Szymanowski’s prelude is scarce. I hope peple can draw attention to the Szymanowski’s prelude after redding the writing of this article. Meanwhile I hope the study will provide the prelude meager strength through the research on the vocabulary of Szymanowski’s prelude.Theovetical analysis,example analysis and inducing analysis were implored in this researchi,with the guideline that everthing is a unity of opposites,the dissertation did research in both macrocosmic and microcosmic aspects.For macrocosmic aspect, Szymanowski’s music career,development of piano prelude,the relationships of Szymanowski and the other musicians and the role in the development of Polish music.Formicrocosmicaspects,including musical form,melody, rhythm,harmony,mode and tonality,performing,the aesthetics.This thesis is divided into four parts.The first chapter is devoted to the brief introduction of three stages of Szymanowski’s creative career and four of creative influence factors of Szymanowski to the readers.In chapter two, mainly through the introduction of four periods of development and change Prelude and representatives, to deepen the reader’s understanding of the history of the prelude. Chapter III, respectively, through the musical form, rhythm, harmony, melody and tonality and other aspects of special vocabulary for Prelude Szymanowski be parsed. And analysis by playing the prelude to further reflect Szymanowski Prelude vocabulary particularity. The fourth chapter, from an artistic point of view Szymanowski contribution expounds the influence of Szymanowski’s music life in Poland. In addition, I also reflected on the work to analyze the emotional, trying to imagine Szymanowski creative mental activity during the prelude.In this paper, the prelude to this set of musical analysis carried out at the same time, pay more attention to the music as a cultural phenomenon to be addressed People come from, where to go, has been the constancy of the human soul, the root causes endless pain, which caused a feeling of loneliness and longing for spiritual home are adequately reflected in Szymanowski’s Prelude in Szymanowski with all aspects of the music of this particular form showed most of the endogenous human proposition, with endless inspiration to future generations.