Analysis Of Charm Of Satoshi Kon’s Camera Language In Post Modern Context

Satoshi Kon (Satoshi Kon) is an excellent Japanese animation director, in17years of hiscareer, he only left the4animated movie, a drama animation, a one-minute of theexperimental animation. He is famous for analyzing the correlation between dream and reality,the "stream of consciousness" of the expression. This paper from the influence of SatoshiKon’s biography and social environment on his creation, combined with the theory of postmodernism art, using quantitative analysis, summary, comparison methods, analyzingnarrative method, lens rhythm and editing features in an attempt to make a comprehensivesummary on artistic characteristics of Satoshi Kon’s lens language. By quantify lens scene,recording the changes of lens scene in the form, this paper changes the subjective, abstractLens rhythm into a fluctuated curve. This new method is unique in this paper.This paper is divided into four chapters.The first chapter is introduction, mainly introduce the domestic and internationalresearch situation of Satoshi Kon, the purpose and significance of this paper, as well as mainresearch contents and and the concept related.The second chapter explores the cause of formation of the Satoshi Kon animation style,which consist of three sections. Satoshi Kon’s life and his creative experience is included inthe section1. From the topics for spiritual analysis, the feminist theme and the "post-modern"clip practices, the section2analyses artistic features of Postmodernism in Satoshi Konanimated films. The section3explores the historical reason Satoshi Kon artistic styleformation from ancient Japanese natural aesthetic of the view. Meanwhile.The third chapter analyzes Satoshi Kon animated film style characteristics from the lenslanguage "static form" perspective based on composition, color and light, so as to explore theeffect of lens language static constitute elements on the animation narrative and expression offeelings.The fourth chapter analyzes Satoshi Kon animated film style characteristics from the lenslanguage " dynamic form" perspective based on the scene, angle, movement, montagelanguage and lens rhythm five parts, so as to explore the effect of lens language dynamicconstitute elements on the animation narrative and expression of feelings.The last chapter is summary and outlook, summarizing the article, at the same time,giving some advice for the development of Chinese animation in the future.