A Comparative Study Of Yunnan Jiama And Gaomi Flutter Gray New Year Pictures

Wood engraving art in our country has a long history, its history origin can explore to the Ming dynasty. As one of the traditional folk art form in our country, it is a magnificent flower of our country’s cultural history, folk cultural history in our country has occupies very important position. But because of geographical differences, cultural differences, etc., each place wood engraving in the production process, the content of art of theme, characters, there is a big difference on the way, has formed the situation in which flowers everywhere.Paper chose yunnan armor and shandong density on grey horse print art pictures art as the research object, the attractiveness of the two kinds of print art survival state. Yunnan although partial over a horse art, but also as a woodcut printmaking, in art form is the same as the density on ash has a lot of pictures and differences, a horse on the existing situation of art also aroused the concern of the author. Density on grey pictures have cause the attention of people as a national intangible cultural heritage, but in the face of increasingly development of society, a rigid art could not exist for a long time. In comparing the two at the same time, hope to find out the wonderful place between the two, in-depth research and expanding the scope of its artistic effect.Thesis mainly used:field investigation method, comparison research method, structure analysis method to study, and is divided into five aspects:from the production process, content, subject, character modelling, composition principle, characteristics of paint (in colour and line, for example) are analyzed, concluded that the art form and realistic significance on the similarities and differences between the two points. In has carried on the feasibility analysis to the reason of the difference at the same time, to face both opportunities and challenges of the new period of classification in explanation, so as to find out the modern significance of traditional woodcut printmaking. And upgrade of the two kinds of art from the development and protection have in-depth understanding, better for the development of folk art later found to explore the rule and method of combining traditional wood engraving art of nationality and times, in line with The Times to create works of art and people’s demand. As a "grassroots" folk art, how to obtain new vitality in modern society, is the time to our new project. The traditional woodcut engraving art spread in current design applications, the traditional art form grafting to the modern concept of life, is our task of modern artists. Hope in our common efforts, the traditional wood engraving art will still send out bright light, for our life.