Aesthetic Thinking On Chinese Contemporary Drama Stage Space

The end of2013, People’s Daily and other periodicals, and some sites inventoriedChinese domestic drama in2013. They can be summed up in two keywords:"vitality"and "originality"."Vitality" is for the drama market, Chinese contemporary drama marketto be prosperous than ever, gradually increase the work output, diversity works also gavethe audience a variety of options. But behind it, is "originality" exhaustion. From whichwe can see that the problem faced by Chinese contemporary drama, and the root of theproblem can be attributed to more problems about Chinese drama stage space. Therefore,the Chinese contemporary drama stage space research and exploration is particularlyurgent and important.From the rheological of theater style and concept of space, has a brief outline ofChinese contemporary drama stage space. Drama stage space as a carrier, from theframe stage theater to frame-extend stage theater and then to experimental theatre,roughly sketched out Chinese Theatre’s shift in style. Humans continue to promote theconcept of space from2D to3D until the multidimensional concept of space, shaping thevirtual space and the empty space on drama stage. To action space of the drama stagespace, this part mainly through the actor’s body and the mobility of the action space toanalyze the Chinese contemporary drama. Body as a starting point for action space,showing the trend of inward extension and outward extension in Chinese contemporarydrama.The substantial flow and secretive flow of action space, and the flow of the twothem interact is the basis to organize the action space. In fact, organize the action space isto make the audience a better “look”, and the " look" is related to the perception space ofdrama stage space. This article try to carding the phenomenon and generalizing thetheory,to the advantages and disadvantages of shaping the perception space on Chinesecontemporary drama,from the part of visual and auditory. Which involves the blank andthe exchange,the sound shaping and expanding the space and other issues. For drama,theatricality is one of the important factors that distinguish it from other arts. Thetheatricality is reflected in the intercourse space of the drama stage space. Chinesecontemporary drama exists a lot of problems on the relationship between “look” and “play”, as the audience is on the sidelines or participate, in fact, it’s related to theintercourse space whitch creators designed. The action space, perception space andinteraction space, eventually need to be sublimated in the aesthetic space. For Chinesecontemporary drama,how to control the density of the symbol appropriate, how to graspa modest created scale will be discussed in the text completely.