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The Research On Space Of Isao Yukisada’s Film

Posted on:2015-09-09Degree:MasterType:Thesis
Country:ChinaCandidate:H ZhangFull Text:PDF
GTID:2285330431994493Subject:Art of Design
Abstract/Summary:PDF Full Text Request
Space consciousness is not only a basic content of Film theory, and is a core concept of film studies.This paper attempts to set Isao Yukisada’s film as the main research object.Reference to research of the theory of film history.Combining with the film aesthetics, sociology and other subjects of research methods,Try to analysis the performance of the space in the movie.Discusses the value of space conception in Japan’s new movie.He is good at through sound, scene scheduling, light to create a painting outside space,Especially the sound.His work reflects the flow, open, full360degrees space.The space in his movie is both the entity and the metaphor.Space is not only is the place that the story took place, but the inner states of different space present different characters,Space factors become the important meaning of the film itself. Isao Yukisada’s film shows the modern space and modern.The essence of the film and existence predicament of modern people have the close correlation.His idea of exploration and practice for modern movies,such as360degrees space,broke through the traditional concept of the movie.He found a kind of aesthetic and social outlook for Japan’s new movie.
Keywords/Search Tags:Movie space, Screen outer space, The scene scheduling, Voice, Japan’s new movie movement
PDF Full Text Request
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