Study On The "Intended As Women" Poetry In Han-Wei And Six Dynasties

The study mainly about the male scholar simulates female tone made Guiyin poems in Han-Wei Dynasties and the six Dynasties as the research object. On the basis of close reading of the text, with " Intended as Women " Poetry in Han-Wei Dynasties and the Six Dynasties to evolve as the starting point, to explore the social and cultural factors and the underlying causes of the poet transform sex and change perspective behind " Intended as Women " Poetry. Combining poetry criticism, poetry theory, from the relationship between literature and culture, literature and politics, literature and history to fully take care of the reasonableness of the Six Dynasties " Intended as Women " in this kind of poetry in the presence of a specific historical and cultural environment and its significance.The whole paper is unfolded basically from four aspects.The introduction, firstly is the definition of "Intended as Women ",and put them into "intends Women" and "on behalf of Women", the former is carried out in accordance with the existing works parody, the latter is based on their understanding of the endorsement of the object, for her empathy to hide that they can be said to be "intended" and "on behalf" of the sub-class, but the focus of the two must be implemented to "Women" on the subject must be conducted by women for the first-person poems, the poet had in the creation of role reversal, using the woman’s narrative tone, Yan Zhi poetry for women, for their own words. Secondly, the study reviewed the current situation and proposes to solve the problems and methods of research.The first chapter, introduce the "intended as Women" from an overall perspective. The chapter form three aspects to investigate, the first, form the existence of "first text", the role of conversion and to life confirms life, analyzing the characteristics of "intended as Women" poetry. Second, the "intended as Women" is divided into emotional identity to make, Xing Ji sustenance to make, opera admiration this three categories. Third, is to trace the roots of "intended as Women".The second chapter, analyze the text of "intended as Women" poetry. In the course of its sort in the diachronic, grasp it by the different featured by different social trends affecting in the Six Dynasties. Divided into the Han-Wei, Dong and Xi Jin and Song Qi Liang Chen this three periods, combined with the historical background and literary style to discourse. The Han-Wei and Six Dynasties period, has a total of 103 poets of these 479 poems. It’s about 31 in Han Wei period, this period the work full of life consciousness and the gas to make generous. Jin has eight poets of 48 poems, at this time, "intended as Women" in poetry is more focused on the performance of their love, Scholarly extremely obvious. Song Qi Liang Chen periods has 88 poets of 400 poems, that is extremely complicated to glory, this period poetry more attention to female external shape, decoration "brilliant" and inner feelings of "resentment" artistic image completely into literati aesthetic admiration thing, they only as an entertainment tool exists.The third chapter, after the meticulously grasp of the connotation, features, the overall style about "intended as Women" poetry. Right "to be as Women" in contemplation of this unique cultural phenomenon, and explain the reasons for its existence, meaning and impact. First discourse is poetry produced cultural context, gender position of Confucian ethics is the background of its existence, while the trend feminine aesthetic psychology is unique to this period of cultural environment. Secondly, from a marital relationship with the monarch Orthodoxy "isomorphism" and literati bisexual temperament, to illustrate the social and cultural connotations poem gender roles. The third discussed male literati "intended as Women" for women construction and deconstruction.The conclusion summarizes the foregoing discussion, the perspective of the male writers of the presence of state and prospect of the research proposed.