| In this paper, from 1997 to 2012 in Hongkong love comedy film as the research object, through the analysis of the uniqueness of Hongkong love comedy movies in the narrative content and the artistic technique, to explore its value and contribution in the history of Hongkong’s film.The first chapter mainly combs Hongkong love comedy film development in 1997 to 2012 years, the overall trend of macro include Hongkong love comedy film stage and during rheological. The second chapter specific analysis of the uniqueness of Hongkong love comedy movies in the narrative content from two aspects of the plot and characters. In the story unfolds on, it is composed of pure love fairy tales, there are mainly "Cinderella" complex multi-level performance, "quarrelsome lovers" love journey and the love triangle and exaggerated interpretation. In the figures, Hongkong love comedy film created very comedy tension port port of male female, namely big woman cowardly little man and overbearing persistent. The third chapter in-depth analysis of the use of Hongkong love comedy film art. One is the postmodernism film gimmick highlighted, including comic game of exaggeration and vulgar subversive parody, collage and parody deliberately. The second is the use of contrast replacement means with strong comedy tension, the identity of the dislocation, the age gap, image contrast. This paper also further discusses the chief effect, namely in the comedic pleasure to meet people romantic imagination at the same time, but also demonstrates the Hongkong people’s collective unconscious and a fun game of post modern spirit. The fourth chapter analyzes the cultural features of Hongkong love comedy movies,including a romantic comedy show unique common strange love imagination, wacky mania post modernist style of comedy, optimistic spirit of Hongkong and the entertainment business elements etc.., and then discusses the unique value of the Hongkong love comedy film. |
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