Xiao Hong’s Classic From The Perspective Of Literary History Problems Of Theory

In the early 1950 s,so far, in the modern history of literature written by many literary historians are about female writer Xiao Hong and classic narrative revealed a significant difference. Behind these differences, is inseparable from the restriction of social and political ideology, the concept of literature and literary historians are also held to be closely bound up. In this paper, therefore, was to write since the founding of the various versions of the history of literature as a basis, will be on a grand view of literary history, Xiao Hong to Xiao Hong’s classic question has carried on the deep research, discusses the cause and the generating mechanism of Xiao Hong classic.Full text of three chapters of the main body part, attach the introduction and conclusion. The first chapter mainly analyzed the 1950 s and the "rewriting literary history" period, the two phase of the history of literature to the narrative of Xiao Hong. Among them, in the 1950 s to Wang Yao, Ding Yi,Liu Shousong and think of the history of literature, for example, this paper discusses the works of Xiao Hong and the specific circumstances of the history of literature, and summarizes the similarities and differences between them. Finally, pointed out the limits of the history of literature narration of Xiao Hong. Since the "rewriting literary history" era of literary works, with Yang Yi and Qian Liqun version, for example, the history of literature and Wang Yao and others, by contrast, got rid of the bondage of political ideology, therefore in the process of narration more Xiao Hong’s unique artistic charm, especially Qian Liqun thirty years of modern Chinese literature. The second chapter mainly analyzes the content of the classic external generating mechanism of Xiao Hong. Xiao Hong’s classic is not achieved overnight, it is formed under the combination of multiple factors, a variety of specifications and standards after consensus to achieve an outcome. The restriction of political ideology, the concepts of multiple changes and media participation and push factors are very important, it was Xiao Hong’s classic process in this only gradually formed under the combination of multiple factors. The third chapter expounds the intrinsic basis of classic Xiao Hong. In the process of classic of Xiao Hong, in addition to the influence of external generating mechanism and promoting, Xiao Hong work itself has the rich cultural connotation, the spiritual connotation and unique artistic feature is the most important factors. As is known to all, internal cause is the root cause of the development of things. Therefore, this part mainly from Xiao Hong unique rendering, life and death to the northeast countryside culture to explore and unique artistic pursuit of the three aspects, analyzes the inner basis of Xiao Hong canonical.