The Research Of Migrant Workers’ Image In Chinese Film Since The New Period

Migrant workers is a unique social phenomenon of social transition, which is a specific product created by the urban-rural dual structure and the household registration system. Migrant workers’struggle and confusion in the modernization process to be incorporated in the sensitive film art. This article is on the migrant workers in China’s film image since the new period, focusing on the edge of the city class are suffering from physical and mental torture double oppression, and pay close attention to difficult modernization and migrant workers’survival anxiety.Except the introduction and conclusion, this paper mainly includes four chapters in the introduction part, the paper research background, research status and the research significance and purpose, and so on are simply introduced.The first chapter summarizes the migrant workers and migrant workers in the new period the birth of the film Firstly, is the historical and cultural context of migrant workers to produce, it pointed out that Chinese migrant workers is a social phenomenon which is a specific product created by the urban-rural dual structure and the household registration system; Secondly, migrant workers film has carried on the simple summary. The second chapter:to present the image of migrant workers in the movie generational divide, compared the first generation of migrant workers to the second generation of migrant workers in fashion imitation root, the desire to the city."Survival struggle" in the third chapter, discusses the image of migrant workers, points out its commonality of suffering:under the double embarrassment of material and spiritual suffering takers, heterogeneous collision between urban and rural areas, success of the city to survive. The fourth chapter:mainly addresses the artistic features of migrant workers in China’s film image, firstly, is a documentary paradigm of art creation, in order to show the pure living conditions of migrant workers, film directors use nonprofessional actors and the long live action, in order to create screen images that close to real life. Secondly, focus on the tragic consciousness of migrant workers in the movie. Image of migrant workers in the lingering tragedy is made by the workers themselves and the creation subject. Thirdly, is the comedy aesthetic connotation created by commercial background. Conclusion:summarizes the creation defects of migrant workers’ work and their image in the future movies.