Narratology Research On Mo Yan’s Novel Life And Death

As Chinese first Nobel Prize winner, Mo Yan in Chinese literature, especially in the development of continued differentiation contemporary literature occupies a pivotal position. On the whole, Mo Yan’s novel also to some extent reflects the basic characteristics and development direction of China’s contemporary literature. Thus, using various methods of literary criticism to analyze his works has some significance for the development of the current status and trends of literature. On the novels of this case is concerned, because of the unique life experiences and creative personality the novel highlights the amazing richness and meaning can be interpretive.The introduction of the topic of this article research background and objects related research, significance, research methods and innovations, etc., made a succinct overview of the readers of this article to have a preliminary understanding.The first chapter to the narrative structure of life and death, selecting the nested inside and outside, double cross and Serious and humor, combined with concrete novel text content analysis, trying to show the exquisite narrative structure of life arid death, applying basic reference for the comments of later analysis of the novel.The second chapter of Life and Death, narrative position as a starting point to analyze the position of the subjective sense of narrative fiction projection and multi-part narrative discourse brought results. For later analysis to pave the way for multi-angle. Narration of penetration is mainly reflected in the subjective sense of personal experiences and society as a whole to two aspects. Both of which are fully reflected in the overall development of this writer as an individual role in society. Any good writing is necessarily soak personal life experience nutrients, while reflecting the trajectory of society. In addition, multi-voice discourse structure also makes the novel’s narrative is more ups and downs, Lan Qiansui, Lan Lian and characters Mo Yan’s three narrative position duties, forming a Hubbub lively theater.The third chapter in the main skeleton of the story-the plot for the analysis of objects. The plot is composed of a narrative framework, the different arrangements directly affect the plot of the novel to read the final results. Interwoven time and space between cause and effect become a major feature of Life and Death plot. Chapter in space and time, cause and effect, the movement of the three angles cut into unique setting of the novel’s plot.The fourth chapter mainly analysis life and death of Chinese and western novels, as reflected in the succession and development of the cultural tradition. Analyzes the Life and Death as embodied in Chinese blood, the inheritance and innovation from the Chinese novel. First select the karma of thought patterns, and with the Ghost Romance in the relevant contents compared to read. Secondly, combining the characteristics of Chinese historical analysis of the novel deep feelings for the land, the importance of the land to the farmers. The last section analyze the unique charm of the chapter titles. At the same time, transferred to the Western Perspective modern fiction writing style and techniques. At the same time, in the western style and technique from aspects of modern novels., analyzing Life and Death magical (especially animal fable borrowed) and the integration of realism and fiction to explore family history cycle thinking historical roots and significance. Form of the selected element of modern Western fiction novel theory and comparative analysis of stream of consciousness. Trying to find the Life and Death in the inheritance and innovation of traditional Chinese novels, based on the character, how closely connected with the world of literary creation trend.