The Action Of Chinese Classical Dance Drama Of The Deformation

The topic of this thesis is in the Chinese classical dance drama movement deformation research, the thesis deals with the Chinese classical dance is especially with characteristic of Chinese national dance kind of concept, it produces with the 50 s of the 20 th century, put forward by Mr Ou Yang Yu qian. In the thesis the Chinese classical dance as "contemporary" two words. Because of the particularity of Chinese classical dance development, to develop a different course in the actions of each phase in the matrix are slightly different, the Chinese classical dance today is in traditional Chinese opera and dance to extract the typical element of dance, dance and then after several generations of workers of development and creation, and the combination of contemporary elements and techniques, can collect a variety of cultural factors and in accordance with Chinese culture as a matrix of contemporary Chinese classical dance. It reflects the emergence of the Chinese workers model of traditional art and dance dance to interpretation and aesthetic pursuit.Chinese classical dance from the bud walking step by step, can be said to be the excellent work. Isolated from the pioneers of Chinese classical dance in Chinese opera dance part and innovation, strives for the survival in the exploration, laid a solid foundation for the development of Chinese classical dance. The emergence of the "body charm" and brought new starting point for the Chinese classical dance, it provides a rich Chinese classical dance dance vocabulary, make the Chinese classical dance has its unique artistic features. With the constant improvement of body charm, action in the Chinese classical dance drama is becoming more and more diversified, gradually expand the development space of the Chinese classical dance, let the Chinese classical dance in the dance of hewed his brilliant one page in the history.In this master thesis in Chinese classical dance drama movement as the object of attention, in time for the order, the longitudinal and transverse comparison research, in-depth exploration on it. Through the study of Chinese classical dance drama movement, and tries to reveal the purpose of Chinese classical dance development and present situation of substance. The full text total of four chapters.The first chapter, this paper expounds the ’50 s the development of Chinese classical dance founded early dramas. Purpose from the earliest Chinese classical ballet movement analysis, a detailed analysis of each period of action and an example. The second chapter mainly tells the story of the eighty s to the period of development, Chinese classical dance body rhyme plays after the onset of action. The third chapter, mainly by the ninety s the action in the Chinese classical dance drama innovation as the focus, the details of the Chinese classical ballet purpose movement in contemporary deformation. For example: in the Chinese classical dance drama action breakthrough; Chinese classical dance of artistic expression and action in the Chinese classical dance drama again the use of the elements of modern dance. The fourth chapter, mainly in the contemporary China classical dance drama movement deformation of a summary, and produced by the author to think through this research some thoughts and ideas, affirming its achievements, discuss the shortage, I hope I can study on contemporary Chinese classical dance movement deformation can be summed up as the next exploration and development of the Chinese classical dance.