Research On The Category Of "Qing" In Verse Theory

"Qing" is a core concept in The Poetics of Ancient China.According to the related arctiles and books which published recently, the research on the category of "Qing" had already achieved a certain level no matter on depth or breadth. In1980s, the research about "Qing" in the Cixue field had acquired big growth. After that,"Qing" as a dependent object made the ascent of history. Looking back on the history and status quo of research about "Qing" in Cixue field, it turns out that most of the scholars choosed some certain view, interpreted the connotation of "Qing" statically but not dynamically. To borrow the conclusion by contemporary scholars about the dead zone of "Qing", that is:From the view of external, the main category was more studied, the secondary was less; the poetry category was more,but the drama or fiction category was less. From the view of interior, the narrowed annotation-was more but the generalized summary was less; the specific example was more but the organized conclusion was less; the single monograph was more but systemed exploration was less. All those ideas gave rise to my graduation thests.Chapter one is general discusion. In<’Qing’in classical poetics> written by JiangYin, the author regarded Qing as a core concept in classical poetics;. Since it was so,’Qing’ permeated into Cixue to be a unique concept of Cixue. And what a relationship is Style features of ci and The development of the internal demand. This article is going to discuss the relationship between the word "Qing" and the material sound and text in three aspects, and analyze "Qing" as a category Ci feasibility.The second chapter discusses the "Qing" Multiple Implications category, but with the awareness of the depth,"Qing" in Confucianism and Taoism was given a sense of ethical and philosophical meaning, and then after school Metaphysics moist "Qing" tasting widely popular figure, to obtain the aesthetic connotation. With the literary trend conscious,"clear" gradually penetrated into the field of literary criticism,"clear" righteousness Yun diversity.The third chapter discusses the Tang and Song Dynasty word yet on the "Qing" consciousness. Lyrics in the Northern Song Dynasty addressed yet "Qing" consciousness is unconsciously tend to criticize the poet’s creative practice, it is more rooted in "Qing" the United States as well as traditional historical dip irrigation poet’s life experiences, inside, the role of cross two factors outside so you can choose a self-transcendent reality with the artistic ideal.The fourth chapter discusses the Southern Song Dynasty and later "Qing" the United States purport, focusing on "Empty" on the word science category. Zhang Yan,"empty," said the proposed making the "Qing" became influential in the field of aesthetic standards that faction of the Qing Dynasty to the west of Zhejiang word, the word is still advocating on "Empty." Extremes meet, excessive pursuit of "Empty" led to "Qing" the connotation appeared drawbacks, namely:spiritual does not exist, there is no sustenance. Fight against these drawbacks, Changzhou School in two aspects of "Qing" for the reconstruction:"thick Qing" and "Empty sustenance" to make "Qing" with renewed vigor.More than a brief discussion on the part of Ci "Qing" category features, because the scope of the grasp of the meaning of care inevitably involves its own characteristics. According to Cai Zhong Xiang, Chen Liang Yun summed category five characteristics were described Ci "clear" category specific meaning of each feature.