The Art Features And Influence Of Painting Language Of Four Monks In Qing Dynasty

In the history of Chinese painting, four monks in Qing Dynasty is an important paintingstyle, By painting they express a sense of his own life experience, feelings of depression,anguish and love of mountains and rivers of the motherland, reflecting the strong spirit ofliterati painting, which is the peak of the development of Chinese literati painting. Landscapepainting is an important area in Chinese painting, in which Chinese culture is an importantmethod of artistic expression. Landscape painting, as a portrait of the background appear fromthe beginning, and later became an independent kind of painting, has been in China occupiesan important position in the history of painting. Due to the complex reality of conflict andfeelings of pain, make clear four monks work with others to form a different character andstyle become numerous early Qing Dynasty painting "Adherents artist" in the crowd, in theearly Qing Dynasty painting occupies an important position. In this paper, four monks wereexplored clearly artistic achievement, achievement of the reasons and the impact on futuregenerations from the background, life experience, work analysis.There are four parts in this article. The first is the introduction; the second part is about fourmonks clear artistic characteristics of landscape painting language; the third clarifies fourmonks made clear the reasons for profound artistic attainments; and the fourth list the effectfour monks in Qing Dynasty landscape painting Effect of painting language.The first part is the introduction which divided into two aspects, one aspect is the briefhistory of the development of landscape painting, which leads to clear four monks position inChinese landscape painting, clearing four monks as an important representative of the heydayof Chinese literati painting, art distinctive, and it is necessary to study the characteristics oftheir art; the other is the background and history of the Qing four monks appeared combedanalysis.The second part, as the most important part of this paper, detailed the life and works of thefigures of the four monks were the Qing (Shi Tao, Zhu Da, Kun Can, Hong Ren). For theartist was undoubtedly the most convincing works. The chapter analyzes the four artists in themost representative works of different periods, with work set forth their artistic languagestyle.The third part describes the four monks made clear the reasons for profound knowledge, a detailed analysis of six aspects. They are different personalities created a different style; andthe division of nature in the unity of the ancients; profound knowledge; to draw as sustenance,to draw for fun; long live the temple; the living environment in touch with nature.The fourth part focuses on the impact of four monks in Qing Dynasty landscape paintinglanguage. It is divided into two parts to elaborate the four monks in Qing Dynasty landscapepainting. The first is about the impact on future generations; the second is about heritage anddevelopment of language of four monks in Qing Dynasty landscape painting.