The Theory Of The Inheritance And Development Of China’s Ethnic Percussion

Ethnic percussion is a kind of cultural history in our country the earliest music phenomenon. "To take help country flocking together leather drum" is the "spring and autumn annals" of yao period, visible ethnic percussion was both as a cultural phenomenon and as a branch of music, it has been accompanied by Chinese culture has a long history of underpinnings.There are many different kinds of percussion instruments in our country, they can be either as the beat of music, including each kind of instrument can play again, and different style. Ancient times, the percussion throughout the whole of the earth. When hunting success or sacrifice to god, and our ancestors would choose different zones to celebrate with percussion, they used sticks and stones, or hit the stone with stones. As time goes on, the progress of the society, the change of productivity, percussion also changing in our country, from the earliest hitting rocks, developed into a strike copper, iron, bamboo, leather and so on. Percussion instruments vary in different regions, advocated in shandong, shanxi, causeway, and so on, they are often and local folk quyi opera company, acting as their accompaniment instrument. Our country’s ethnic percussion performance in a variety of forms. Can take a solo instrument, can also be doubling the doubling the unison, can also be more than two people. This paper will focus on huating county, gansu province folk artists you-fu wang, he is another shortcut, broke the traditional folk percussion performance form, he played by one person at the same time as many as 30 a variety of ethnic percussion, as it is you-fu wang was known as the "king of drums"; After you-fu wang and the joint efforts of the family and his disciples, formed in percussion today in the small and medium-sized huating "fight music". But because of huating fight music more like percussion is more difficult to master, not easy to get started, inheritance people less and less, huating fight music is also endangered lost. Through data collection, on-the-spot investigation is aimed at the status quo of China pavilion fight music, heritage and development are discussed.