Explore The Meaning Of "Retro" Phenomenon In Ancient Literati Painting

In Chinese ancient society, the "retro", "ancient" this kind of phenomenon is not strange.lt is also a cultural topic worth to be studied.When you open the history books, there is no lack of various forms of ideological trend restoring ancient ways in the human history, people always have deep emotions of past glory. The art of ancient times spirit passes through the Chinese painting.Classical aesthetics play an important role in the history of Chinese traditional art.Look at the Chinese art history, it is not hard to find that when at the time of the important turning point, the sages are always slow down and stop to look back and looking for cultural support from the profound tradition to get new development. At the early northern Song Dynasty, Sushi and Mifu put forward the aesthetic idea of "ancient" to find the ancient Chinese painting spirit quality, Zhao mengfu advocated "dangerously" tried to retain the cardinal spirit of Han culture under the control of the alien race in Yuan Dynasty, Dong Qichang in the Ming Dynasty put forward the theory of Southern and northern school of painting for promoting retro, "Four Wangs" advocated archaize to summarize highly mature classical painting schema in the Qing Dynasty,these representations have great influence in the Chinese painting history. In the development processes of Chinese painting,innovation is always go with tradition, it is often based on tradition in Chinese painting.It’s got the characteristic of flexibility.In this globalization era, in order to keep the cultural identity of self and the spirit of outstanding character, how to inherit the thought essence left from ancients and try to the further understand the spirit of ancient art, make the past serve the present.The research and thinking about the cultural background of retro phenomenon, ideological roots, a comprehensive discussion of the kernel spirit is to understand the subject must be face to it.