| Verdi’s opera "Rigoletto" is the most representative part of the opera history. In this work, Verdi created a humble baritone role who boasts both good and evil--father Rigoletto, an inexperienced, pure and beautiful soprano role-- daughter Gilda, more importantly, a suave, voluptuous tenor role-- Il Duca di Mantova. This paper chose the opera tenor role of "Duke of Mantua" as the object of study. Through detailed analysis of their concert arias and of different versions, their singing style are summarized. Verdi tenor roles and opera singing style have been attracting attention ofe researchers, this is due to Verdi’s opera singing tenor provides a broad space, whenever contact operatic tenor singer try some of the concert aria Verdi always more or less; on the other hand, the role of Verdi’s opera more to "hero" of the main characters, these roles are often strong, stalwart, even suave Man Duke Tuya, the sound is also no shortage of Verdi tenor of this "brilliant temperament", which is the singing style of the common features,At the same time, it is precisely because of this kind of feature, so Verdi tenor tenor roles in numerous independent, becoming the concern of a group. After the tenor of the "golden age" come, Verdi tenor demonstrated the ability to become the best choice. In this paper, although we chose the Duke of Mantua in Verdi tenor roles more biased in favor of lyric tenor, but its overall style of singing, and still showed the Verdi tenor roles of other common features, while not lacking own singing style personality characteristics. Overall, in this paper, not only lists the most contact with the country singer’s two arias- "fickle woman" and "beautiful clouds", but also for other important aria the Duke of Mantua analyzed through this to the Duke of Mantua in the whole opera singing of analysis, we will be able to better understand the overall style of singing, but also to a more comprehensive and complete understanding of this role. |
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