Panoramic Chinese Painting Research

Panorama Art originated in Europe, the so-called "Panorama" that is arranged in a circular painting of architectural space, so that the screen form a 360-degree view of a unique artistic presentation. Since the 1980s came to China, Lu Xun Academy of Fine Arts as the main creative team, at home and abroad has created a far-reaching pieces of panorama.In the first chapter, the concept of theme and panoramic painting of the sort, and were themes from the landscape, history and war themes, religious themes of the three aspects of the sort, and analyzes three different themes in the development process panoramas focusing on the period, in panorama concept definition, origin and development section of the panorama of European painting as the introduction of China’s foreign painting, combined with its own characteristics, were defined and the origins of, and in the 1980s after the introduction of China’s development in the country are briefly described. On the performance of the subject matter, China Panorama mainly historical and war themes dominated, with magnificent landscapes between performance, and in the history and the subject of war, the addition of the performance of Liaoning-Shenyang Campaign, the Korean War, Struggle and Jinan Campaign as and other modern revolutionary war as the main body.The second chapter, the panorama of cultural studies related to the Panorama issue in the development of today’s cultural context, removing their European identity, in China panorama, it also has its own Chinese characteristics, combined with the panorama of art as a mass art form it the presentation of the outlook and issues were discussed on the public cultural space, as a form of popular culture media than under foreign and domestic unique performance, as well as in the context of industrialization process of Popular culture and Consumption its own development encountered difficulties and opportunities.The third chapter discusses the aesthetic characteristics of Chinese paintings panorama. Panorama and China come under the context of the public as art, and thus that the panorama of Chinese painting itself has the sublime beauty aesthetic characteristics, then, also discussed about the history and visual reproduction as a narrative theme encountered real property, as well as its visual display of the presence of the Creation and other specific issues.Creative practice and technological factors chapter panorama in China is divided into two subsections discuss the Panorama Creation narrative plot unfold specific problems encountered, such as plot selection and purchase, support, and narrative logic details four aspects. For example:"Southwest campaign-Yuncheng battle" Finally, Yun West 50 meters south of the main breach the walls thirty feet high above the city of Taiwan selected as the whole painting foothold successfully created a well-organized out clear, details prioritize, orderly, rich connotation of large-scale battle scenes; and "capture Jinzhou" panorama Museum panorama as China’s first museum, no doubt, in the integration and coordination of sound and light effects, as we do an example.Finally, the author reflects on how the development of China panorama of the problem should go from here? And realized:constantly upgrading new technology, new media technologies continue to invention and innovation, Panorama on the performance of techniques and presentation is facing unprecedented challenges, and China face the challenge of panorama creation, it should create conform Chinese people’s aesthetic consciousness works, and out of the panorama of the road with Chinese characteristics.