The Study Of The Conversion Of Chinese Traditional Folk Graphic Symbol In The Modern Vision

And folk become attached to art, or my graduate one year period, a follow mentor to Beijing during the study, incidental saw Mr. Lv Shengzhong little red man series, was attracted by this Chinese red, began to folk graphic symbols in modern visual on the possibility of converting some small idea of initiation. Read the relevant information found in the Chinese folk graphic symbols as ancient folk art, it’s kind of unique artistic charm has penetrated into our re-creation of today’s show. Its valuable is its spontaneous combustion, and is a specific cultural environment of workers who aesthetic psychological and spiritual needs. Now we have time and space out of this relationship, whether a new understanding of this art with a strong national colors? So, how to inherit? What innovation? Should be that we should reproduce some of the art initiative.In modern admiration for traditional, naturally, can not deny the modern aesthetic sense to re-examine the traditional culture, Chinese and Western cultures collide in today, there is likely to accelerate a variation of the content, but still Van Gogh Van Gogh, Picasso, Picasso either. Chinese folk art should not lose its original characteristics. But we just simply do not intrude in the private sector should be conscious of the antiquity of the meet it?Gauguin, Picasso, Matisse and other artists who have been inspired by African art, creating a sense of their own to meet in the art of thinking. This shows that our national characteristics, it should be a local inner spirit, which we need to unlock the appearance of serious research, get the essence of art. Not only the surface, it should also pay attention to their inherent deep structure.I tried with a new background context of their own age under which the folk tradition started graphic symbols, their own national culture accumulated bit by bit, from the graphical modeling efforts, connotation and modern visual perspective, telling Chinese folk graphic symbols modern Transformation. In Chinese folk paper converting graphic symbols in modern vision for the study, for the Chinese folk graphic symbols on a modern vision application breadth, importance and representativeness, and the people are too concerned about the use of traditional decorative patterns, while ignoring the traditional and modern visual contradiction converted formed and simply use the traditional symbols, the lack of time and space transformation manifested intersection of generations, a series of thinking and feelings generated.Of course, for those of us young designers, exist on the basis of the knowledge structure and inadequate grasp, but we must do belong to "own" the design, rather than simply imitate the West. Facing our entire society, human environment, you need to seriously think about the moment, how to convert the current context of the traditional symbolic language? How to create a unique expression of a part of China, creating express their original language, which will be difficult, but especially exciting because a serious art also eager.