The Cartoon Motion Of Guilin During The Period Of Anti Japanese War

Wang Dun Qing in the national salvation comics publication, the foreword that comics are modern social life in the most popular a kind of art. In times of peace and prosperity, it can grasp the human weakness, with humor, satire or exaggerated wrist critical life, social transformation, political supervision; in the period of the war of.He can also to the same wrist touches human machine micro, encourage soldiers unafraid of death, to increase people’s patriotic enthusiasm, and give the enemy a heavy blow. " Comics, as a loved by the masses of art, during the eight years of the Anti Japanese war is the most active, most exciting, most of the social and historical significance of the stage.The Guilin in the war of resistance against Japan, because of its convenient and advantageous geographical position, relatively loose political environment and severe war situation and the grim war of resistance become the country’s famous Anti Japanese culture city. At the time of the cultural city of a large number of cultural celebrities, scholars and experts from across the country, which brings together comic writers and comic groups in Guilin also for a number of. These comic group, comic book writer in during their stay in Guangxi actively writing comic and anti Japanese propaganda, in order to more greatly mobilize the masses of the Anti Japanese passion, comic writers often hold Street cartoon exhibition, cartoon exhibition tour and closely combined with woodcut artists creation:cartoons, these are anti war propaganda made an indelible contribution.This paper is divided into five chapters, mainly from the aspects of Guilin during the Anti Japanese War caricature movement background, development situation and Guilin Japanese comic art features and historical significance of the system are discussed in detail:The first chapter is an overview of the background to the Anti Japanese War caricature movement in Guilin. This chapter is divided into three sections, respectively in Guilin during the Anti Japanese War caricature movement from the rise of the historical background, Guilin Anti Japanese War caricature movement the development stages and characteristics and the Guilin Anti Japanese War caricature movement and other areas during the Anti Japanese War caricature movement of exchange comparison and in detail. The author intends to strengthen in Guilin during the Anti Japanese War caricature movement introduced the background, which emphasizes the time before and after the vertical depth study also stressed that in comparing with the regional scope, through the time of the vertical and regional transverse comparative study, in order to Guilin caricature movement during the war background have a more comprehensive and clear understanding.The second chapter and the third chapter mainly expounds the development of the Guilin War comic movement, in order to make the readers have an overall understanding of the cartoon movement during the war of Guilin.. The second chapter mainly introduces the main comic groups and comic writers during the Guilin activity during the war of resistance against Japan.. Due to limited space, this article only selects the political comic propaganda team as a representative comic group and Feng, Yu Suoya, Liao Bingxiong, Sheng Tewei, Zhang Guangyu, heteropogon contortus Beauv. As the representative of the comic writer of more detailed deep into the section introduces the national comics Writers Association against the enemy and the central Military Commission. The third chapter mainly introduces the propaganda way of the Guilin War comic movement, mainly from the comic exhibition and the comic newspaper periodical publication situation and so on.These two aspects are the important part of the Guilin Anti Japanese cartoon movement, and it is the symbol of Guilin’s diffuse movement.The fourth chapter is a comparative study on comprehensive comic art characteristics of Guilin during the period of Anti Japanese war. This chapter is divided into two sections for the analysis of the special sections, namely, the artistic features of Guilin and the cartoon works during the Guilin war period.The first section mainly from the cartoon and woodcut published with the creative forms, comic style "popular" and focus on comics "critical" and "irony" function these three aspects are discussed in this paper. The second section mainly from the period of the war of resistance against Japan:Published in Guilin was published in the newspapers and periodicals. The comics as the object, comic art ontology of comparative analysis.The fifth chapter briefly describes the Guilin Japanese comic movement historical significance and inspiration to contemporary cartoon creation. Guilin during the Anti Japanese War caricature movement for Guilin’s anti war literature and art propaganda made outstanding contributions, is an important part of Guilin as a cultural movement, not only the outstanding at the time of the Anti Japanese war culture city of Guilin, even at the time of the Kuomintang controlled areas in the southwest rear area have great influence. Guilin War comic movement to promote the development of comic movement during the war, greatly enriched the treasure of the War comic treasure house of war. Guilin in the war of resistance against Japan cartoon in today’s as a reproduction war gunsmoke witness and record the situation of the times history, has important historical value, so its historical significance is quite profound. In addition, it in today’s cartoon creation also has great enlightening meaning, comic book writer in the works is penneated with the rational feelings and the spirit of realism, on today’s comics industry still has a positive significance.