Wetlands And The Study Of Painting Language

The wetland resources in Heilongjiang is rich, the natural characteristics of wetland is particularly evident, day Gao Yundan wetland landscape and revealed a northern wild and unrestrained. Throughout ancient and modern, in Chinese painting wetland theme has never been alone and meticulous creation, the painting language has never been systematically study and expression. Even in the wetland ecological high-profile today, development and prosperity of the culture and art of wetland also didn’t get enough attention and great efforts. In the province of the arts and cultural development is not the development, prosperity, but China painting emerged a large number of influential in the country artist, mostly dedicated to sing the praises of the beauty of Heilongjiang landscape painting creation, on the home landscape has feelings, and the province of the natural landscape is the most intuitive feelings. So the development and prosperity of the wetland theme of painting has become almost inevitable, for the study of wetland theme of painting language and has only just started, but there is a need. As an important subject on the basis of China northern landscape painting creation, it is necessary to carry out in-depth theoretical study and summary. In the style and form inside fixed jump out of, and adhere to the excellent traditional China painting long culture of the Chinese nation, in order to more in-depth understanding of the essence of progress in the development of the times, find themselves in the river, China painting development in. The development of Chinese origin in the culture of Humanities and philosophy, with bright color, accompanied by the inevitable development of wetland wetland culture art development.