Triple Feature And Individual Value Point Of Gao Er Tai ’s Aesthetics

In the history of modern Chinese aesthetics, history of ideas, Gao er tai is a character can not be ignored. He used his own life experience and life thinking of writing a very unique aesthetics. Carefully examine the development process of Gao er tai’s aesthetics, and difficult to find, though always in the Gao er tai’s aesthetic development and change them, and at various times have formed a distinctive characteristics, but the same people who always stick to the spirit of self-worth pointing. We can say that it is precisely because of this point throughout, which makes the formation of a layer by layer Gao er tai’s aesthetics but progressive cycle of system features.Fifties,Gao er tai resort aesthetic sensibility of their own lives speech, forming a unique aesthetic point of view, and keep in an authoritative voice in the discourse, it is highly personalized. This respect for the feelings of the speech of his life, forming a kind of "presence" aesthetic, which emphasizes the subjective feelings, but this is the individual consciousness. Built on this basis, the late seventies early eighties, under the guidance of a very clear sense of individual worth pursuing, Gao er tai’s aesthetics to the aesthetics of "action", emphasized the inherent unity of aesthetic and humanitarian, emphasizes the power of beauty. And after that, aesthetics Gao er tai’s gradually presented as a kind of "nothingness" of aesthetics. In fact, this is the aesthetics of a confrontation with nothingness, it is the individual value of the continuous process of rebirth but disappeared. "Presence", "Action", "nothingness" is a triple feature Gao er tai’s aesthetics, but they both gradual deepening mutually inclusive, ad infinitum. At the same time, it is the possibility of triple feature itself,but in the possibility of individual value is generated.